You see, even after all these years, I wonder if you really loved me. Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything—marriage, lovers, loss, madness, children, success and failure—the sisters remain the closest of co-conspirators. But they also betray each other.
In this lyrical,
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Author Cassandra Fallows believes she may have found the story that could become her next bestseller. When she was a girl growing up in a racially diverse middle-class neighborhood in Baltimore, a shy, quiet, unobtrusive child named Calliope Jenkins orbited Cassandra’s circle of friends. Later Calliope would be accused of an unspeakable crime and would spend seven years in prison for refusing to speak about it. But by delving too deeply into Calliope’s dark secrets, Cassandra may inadvertently unearth a few of her own—forcing her to reexamine the memories she holds most precious, as the stark light of truth illuminates a mother’s pain,
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At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems,
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In Amy Sohn’s smart, sexy, satirical peek into the bedrooms and hearts of Prospect Park West, the lives of for women come together during one long, hot Brooklyn summer. Frustrated Oscar-winning actress Melora Leigh eager to relieve the pressures of raising her adopted toddler, feels the seductive pull of kleptomania; Rebecca Rose, missing her formerly robust sex life, begins a dangerous flirtation with handsome neighborhood celebrity Lizzi O’Donnell, former lesbian (or “hasbian”), wonders what draws her to women despite her sexy husband and adorable baby; and Karen Bryan Shapiro consumes herself with a powerful obsession—snagging the ultimate three-bedroom apartment in a well-maintained,
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A photo of her sons. A doormat from Target. Twenty-three tubs of fabric. Somehow it comforts Lauren to list the things she lost when a wildfire engulfed the Santa Barbara avocado ranch she shared with her husband, Tom. He, too, didn’t survive the devastating fire. His last act was to save her grandmother’s lace from the flames-an heirloom she has never been able to take scissors to, that she was saving for someday.
As she negotiates her way through grief, mourning both the tangible and intangible, Lauren wonders about her long marriage. Was it worth all the work,
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Just put one foot in front of the other. Sounds simple, doesn’t it? But when Noreen Kelly takes a buyout from her job of eighteen years and gets dumped by her boyfriend in one fell swoop, she finds it hard to know what that next step is—never mind take it. At first Noreen thinks maybe her redundancy package could be an opportunity, a chance to figure out what to do with the rest of her life while her company foots the bill. Sure, she may have gotten high to “Witchy Woman” and grooved to “Sweet Baby James” back when James Taylor had hair,
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