This
is the story of Kate and Michael. He was a sweet young boy, neglected by his
birth mother and now living with his dad.
Michael’s
father, Kate’s boyfriend, allowed Kate to become Michael’s mother—to care for
him and help raise him and to blossom in her unexpected new role. But when they
split up after six years, despite his early assurances to the contrary, the
father refused Kate access to the child. She had no rights. She was devastated.
When Alyssa, a self-proclaimed shrinking violet, steals the school mascot, a goat, in order to make some friends with the popular crowd and gets caught, she gets herself in a heap of trouble. In addition, her parents decide that instead of taking her on their summer trip to Madagascar to study the courtship rituals of the Bamboo Lemur, she must go stay with her aunt, uncle, and bratty cousin Emily St. Claire in Willow Falls. Alyssa thinks it’s a good time to start over; she’ll be turning 13 after all, so she might as well make the best of it and perhaps even attempt to break out of her shell (in a non-criminal manner).
Hedged in by her parents’ genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives–all of them unconventional. And when she finds herself pregnant, she doesn’t hesitate to have the baby on her own.
Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood.
Judith Whitman always believed in the kind of love that “picks you up in Akron and sets you down in Rio.” Long ago, she once experienced that love. Willy Blunt was a carpenter with a dry wit and a steadfast sense of honor. Marrying him seemed like a natural thing to promise. But Willy Blunt was not a person you could pick up in Nebraska and transport to Stanford. When Judith left home, she didn’t look back.
Twenty years later, Judith’s marriage is hazy with secrets. In her hand is what may be the phone number for the man who believed she meant it when she said she loved him.
As devoted readers of Adriana Trigiani’s New York Times bestselling novels know, this “seemingly effortless storyteller” (Boston Globe) frequently draws inspiration from her own family history, in particular from the lives of her two remarkable grandmothers, Lucia Spada Bonicelli (Lucy) and Yolanda Perin Trigiani (Viola). In Don’t Sing at the Table, she reveals how her grandmothers’ simple values have shaped her own life, sharing the experiences, humor, and wisdom of her beloved mentors to delight readers of all ages.
Trigiani visits the past to seek answers to the essential questions that define the challenges women face today at work and at home. Don’t Sing at the Table is a primer,
The astonishing life of a long-misunderstood Renaissance virago…
Wife, mother, leader, warrior. Caterina Riario Sforza was one of the most prominent women in Renaissance Italy—and one of the most vilified. In this glittering biography, Elizabeth Lev reexamines her extraordinary life and accomplishments.
Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength,
