In thirty days Clementine Pritchard will be finished with her last painting and her life.
World-renowned artist and sharp-tongued wit Clementine Pritchard has decided that she’s done. After flushing away a medicine cabinet full of prescriptions, she gives herself thirty days to tie up loose ends—finish one last painting, make nice with her ex-husband, and find a home for her cat. Clementine plans to spend the month she has left in a swirl of art-world parties, manic work sessions, and outrageous acts—but what she doesn’t expect is to uncover secrets surrounding the tragedy that befell her mother and sister.
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In 2008, CBS’ Chief Foreign Correspondent, Lara Logan, candidly speculated about the human side of the war in Iraq: "Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does…" Logan’s query raised some important yet ignored questions: How did the remains of American service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what does the gathering of those remains tell us about the nature of modern warfare and about ourselves?
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It began with Benny Hogan and Eve Malone, growing up, inseparable, in the village of Knockglen. Benny—the only child, yearning to break free from her adoring parents…Eve—the orphaned offspring of a convent handyman and a rebellious blueblood, abandoned by her mother’s wealthy family to be raised by nuns. Eve and Benny—they knew the sins and secrets behind every villager’s lace curtains…except their own.
It widened at Dublin, at the university where Benny and Eve met beautiful Nan Mahlon and Jack Foley, a doctor’s handsome son. But heartbreak and betrayal would bring the worlds of Knockglen and Dublin into explosive collision.
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The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life.
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The Dovekeepers is Alice Hoffman’s most ambitious and mesmerizing novel, a tour de force of research and imagination. Nearly two thousand years ago, nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman’s novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael’s mother died in childbirth, and her father, an expert assassin, never forgave her for that death.
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What is it like to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O’Rourke found that nothing had prepared her for the intensity of her sorrow. She began to create a record of her interior life as a mourner, trying to capture the paradox of grief—its monumental agony and microscopic intimacies—an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. With lyricism and unswerving candor, The Long Goodbye captures the fleeting moments of joy that make up a life and the way memory can lead us out of the jagged darkness of loss.
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