Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid.
True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.
After leaving her son’s grave behind in Montgomery, Alabama, Delilah Evans has little faith that moving to her husband’s hometown in Pennsylvania will bring a fresh start. Once there, the last thing Delilah imagines is becoming friends with her reclusive Amish neighbor, Emma Mullet—yet the secrets that keep Emma isolated from her own community bond her to Delilah in delicate and unexpected ways.
Delilah’s eldest daughter, Sparrow, feels she is responsible for her brother’s death. When tensions at home become unbearable for her, she seeks peace at Emma’s house and becomes the daughter Emma has always wanted. Sparrow,
A bold, page-turning novel that follows how a childhood abduction sets two sisters on very different courses.
Every other weekend, Hope and Eden—backpacks, Walkmans, and homework in hand—wait for their father to pick them up, as he always does, at a strip-mall bus stop. It’s the divorce shuffle; they’re used to it. Only this weekend, he’s screwed up, forgotten, and their world will irrevocably change when a stranger lures them into his truck with a false story and smile.
More than twenty years later, Hope is that classic New York failure: a playwright with only one play produced long ago,
A dark, compulsively readable psychological suspense debut, the first in a new series featuring the brilliant, fearless, chaotic, and deeply flawed Nora Watts—a character as heartbreakingly troubled, emotionally complex, and irresistibly compelling as Stieg Larsson’s Lisbeth Salander and Jo Nesbø’s Harry Hole.
It begins with a phone call that Nora Watts has dreaded for fifteen years—since the day she gave her newborn daughter up for adoption. Bonnie has vanished. The police consider her a chronic runaway and aren’t looking, leaving her desperate adoptive parents to reach out to her birth mother as a last hope.
A biracial product of the foster system,
“Troubled.” That’s seventeen-year-old Genesis according to her small New Jersey town. She finds refuge and stability in her relationship with her boyfriend, Peter—until he abandons her at a Planned Parenthood clinic during their appointment to terminate an unwanted pregnancy. The betrayal causes Gen to question everything.
As Gen pushes herself forward to find her new identity without Peter, she must also confront her most painful memories. Through the lens of an ongoing four act play within the novel, the fantasy of their undying love unravels line by line, scene by scene. Digging deeper into her past while exploring the underground theater world of New York City,
From a dazzling new literary voice, a debut memoir about a young woman learning to dance tango, becoming comfortable in her own skin and in the arms of others
Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. She dug up an old dream and tried on her dancing shoes.
In tango, there’s a leader and a follower, and, traditionally, the woman follows.