Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America’s cultural definitions of motherhood have left her a lapsed idealist. Lana Breban is a powerhouse lawyer, economist, and advocate for women’s rights with designs on elected office. She also has a son. Lana and her staff have decided she needs help softening her public image and that a memoir about her life as a mother will help.
When Allie lands the job as Lana’s ghostwriter, it seems as if things will finally go Allie’s way.
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In this engaging new installment of Carole Bumpus’ heartwarming culinary memoir/travelogue series, Carole and her trusted guide and dear friend, Josiane Selvage, complete their gastronomic and cultural tour of France. The trip was inspired by Josiane’s deceased mother, Marcelle, and in a touching tribute, Carole and Josiane also search for Marcelle’s roots—a mystery created by the chaos of both world wars.
Beginning in Paris and heading north into Nord-Pas-de-Calais, Normandy, Brittany, Loire and completing the tour in the Auvergne, Carole searched for the traditional “cuisine pauvre” (peasant foods) common to the French table, but she also treasured visits to cultural sites that illuminated the French character and history: ancient cathedrals,
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A poignant and hilarious oral history of a (fictitious) musical phenomenon.
Adrianne Geffel was a genius. Praised as the “Geyser of Grand Street” and the “Queen of Bleak Chic,” she was a one-of-a-kind artist, a pianist and composer with a rare neurological condition that enabled her to make music that was nothing less than pure, unmediated emotional expression. She and her sensibility are now fully integrated into the cultural lexicon; her music has been portrayed, represented, and appropriated endlessly in popular culture. But what do we really know about her? Despite her renown, Adrianne Geffel vanished from public life,
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For fans of Flight Behavior and Station Eleven, a novel set on the brink of catastrophe, as a young woman chases the world’s last birds—and her own final chance for redemption.
Franny Stone has always been a wanderer. By following the ocean’s tides and the birds that soar above, she can forget the losses that have haunted her life. But when the wild she loves begins to disappear, Franny can no longer wander without a destination. She arrives in remote Greenland with one purpose: to find the world’s last flock of Arctic terns and track their final migration.
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The New York Times-bestselling, National Book Award-winning author of The Friend brings her singular voice to a story about the meaning of life and death, and the value of companionship. A woman describes a series of encounters she has with various people in the ordinary course of her life: an ex she runs into by chance at a public forum, an Airbnb owner unsure how to interact with her guests, a stranger who seeks help comforting his elderly mother, a friend of her youth now hospitalized with terminal cancer. In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences.
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As everyday white supremacy becomes increasingly vocalized with no clear answers at hand, how best might we approach one another? Claudia Rankine, without telling us what to do, urges us to begin the discussions that might open pathways through this divisive and stuck moment in American history.
Just Us is an invitation to discover what it takes to stay in the room together, even and especially in breaching the silence, guilt, and violence that follow direct addresses of whiteness. Rankine’s questions disrupt the false comfort of our culture’s liminal and private spaces—the airport, the theater, the dinner party,
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