From a dazzling new literary voice, a debut memoir about a young woman learning to dance tango, becoming comfortable in her own skin and in the arms of others
Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. She dug up an old dream and tried on her dancing shoes.
In tango, there’s a leader and a follower, and, traditionally, the woman follows.
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Spanning the years of the first great settlement of the West, The Removes tells the intertwining stories of fifteen-year-old Anne Cummins, frontierswoman Libbie Custer, and Libbie’s husband, the Civil War hero George Armstrong Custer. When Anne survives a surprise attack on her family’s homestead, she is thrust into a difficult life she never anticipated—living among the Cheyenne as both a captive and, eventually, a member of the tribe. Libbie, too, is thrown into a brutal, unexpected life when she marries Custer. They move to the territories with the U.S. Army, where Libbie is challenged daily and her worldview expanded: the pampered daughter of a small-town judge,
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Stacey Haney’s family has lived in the towns of Amity and Prosperity for 150 years. Struggling to support her children, in 2008 she agreed to let frackers extract natural gas from deep beneath her tiny, eight-acre farm. The initial royalty checks covered her mortgage, but she felt anything but relief: her animals had started developing mysterious illnesses, and her children became chronically sick too. Patches of grass were dying. The air and water smelled foul. Yet the energy company insisted that nothing was wrong—until Stacey and her neighbors enlisted a shrewd, relentless husband-and-wife attorney team. The ensuing investigation revealed deep rifts in Stacey’s rural community,
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A vibrant, propulsive literary thriller that charts the high-stakes journey of a young man trying to find his place in a country that has lost its way
As the 1980s draw to a close, South Africa is a maelstrom of political violence with the apartheid regime in its death throes. Young Martin Helger is the struggling odd duck at an elite private boys school in Johannesburg, with his father a rough-handed scrap dealer and his brother a mysterious legend.
When a beautiful and manipulative American arrives at the family home, Martin soon finds himself wrenched out of his isolated bubble and thrust into the raw heart of the struggle.
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Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.
A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation,
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Allison Pearson’s brilliant debut novel, I Don’t Know How She Does It, was a New York Times bestseller with four million copies sold around the world. Called “the definitive social comedy of working motherhood” (The Washington Post) and “a hysterical look—in both the laughing and crying senses of the world—at the life of Supermom” (The New York Times), I Don’t Know How She Does It introduced Kate Reddy, a woman as sharp as she was funny. As Oprah Winfrey put it, Kate’s story became “the national anthem for working mothers.”
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