When her sixty-four-year-old mother, Teresa, suffered “as big and bad a stroke as you can have and still be alive,” Tessa Fontaine entered a nightmare of wrenching uncertainty. Three years later, severely disabled but still possessing a spark of her former vitality, Teresa and her husband set out on an ambitious journey. Their itinerary called for them to cross the country by train, and then to cross the ocean by ship, culminating in a long-dreamed-of, long-postponed romantic sojourn in Italy. Worried about the travel calamities that surely awaited her mom, Tessa was nonetheless suddenly released from caretaking. So she decided to set out on her own extraordinary journey—a path that led her to the last traveling American sideshow.
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Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck.
The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them.
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A slyly funny coming-of-age novel about a young woman fumbling her way into the mysteries of loss and the travails of adulthood as she tries to make sense of a vanished mother’s legacy.
When 22-year-old Olivia learned that her mother had only months to live, she pulled up roots and left her career plans far behind to be with her mother for her last days. And yet, just four months after her mother’s death, everyone in Olivia’s family already seems ready to move on. Her brothers are settled comfortably in careers and families of their own;
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Slip behind the Iron Curtain into a world of smoke, secrets, and lies in this stunning novel where someone is always listening and nothing is as it seems.
Noah Keller has a pretty normal life, until one wild afternoon when his parents pick him up from school and head straight for the airport, telling him on the ride that his name isn’t really Noah and he didn’t really just turn eleven in March. And he can’t even ask them why — not because of his Astonishing Stutter, but because asking questions is against the newly instated rules.
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Claudia Rankine’s bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time. The accumulative stresses come to bear on a person’s ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship.
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The New York Times bestseller, now available in paperback—an incredible true story of the top-secret World War II town of Oak Ridge, Tennessee, and the young women brought there unknowingly to help build the atomic bomb.
At the height of World War II, Oak Ridge, Tennessee, was home to 75,000 residents, and consumed more electricity than New York City, yet it was shrouded in such secrecy that it did not appear on any map. Thousands of civilians, many of them young women from small towns across the U.S., were recruited to this secret city,
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