The editors of The Friend Who Got Away are back with a new anthology that will do for money what they did for women’s friendships.
Ours is a culture of confession, yet money remains a distinctly taboo subject for most Americans. In this riveting anthology, a host of celebrated writers explore the complicated role money has played in their lives, whether they’re hiding from creditors or hiding a trust fund. This collection will touch a nerve with anyone who’s ever been afraid to reveal their bank balance.
In these wide-ranging personal essays,
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The Liar’s Diary is a seductive psychological thriller about a woman facing the dark truths at the heart of her family.
Jeanne Cross’s contented suburban life gets a jolt of energy from the arrival of Ali Mather, the stunning new music teacher at the local high school. With a magnetic personality and looks to match, Ali draws attention from all quarters, including Jeanne’s husband and son. Nonetheless, Jeanne and Ali develop a deep friendship based on their mutual vulnerabilities and long-held secrets that Ali has been recording in her diary. The diary also holds a key to something darker: Ali’s suspicion that someone has been entering her house when she is not at home.
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Arabella Hicks helps her students focus on their writing, and she encourages them to nurture the distinctive voice that emerges on paper as a result of that focus. For some of them, it’s the first time any of them have ever had their written work taken seriously.
Unfortunately, it’s becoming increasingly harder for Arabella to practice what she preaches. She’s been writing the same novel for seven years, and lately her time in front of the computer has involved more games of Spider Solitaire than she’d like to admit. Revision consists of considering alternate punctuation. She can’t find an appropriate ending for her novel.
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Luncheon of the Boating Party, the novel and the painting, depicts the summer of 1880, an exuberant postwar time when social constraints were loosening, Paris was healing, and Parisians were bursting with a desire for pleasure. The fourteen painted figures on the terrace overlooking the Seine enjoying this moment of la vie moderne are Renoir’s very real friends, whose lives unfold and connect during the course of the making of the painting. Seven of the models are viewpoint characters who reveal in their own voices the events of their lives during the weeks in between painting sessions.
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For the 125th anniversary of Kafka’s birth, an astonishing new translation of his best-known stories, in a spectacular graphic package.
For all his fame, Franz Kafka published only a small number of stories in his lifetime. This new translation of those stories, by Michael Hofmann, one of the most respected German-to-English translators at work today, makes Kafka’s best-known works available to a new generation of readers. Metamorphosis gives full expression to the breadth of Kafka’s literary vision and the extraordinary depth of his imagination.
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From the bestselling author of She’s Not There comes another buoyant, unforgettable memoir—I’m Looking Through You is about growing up in a haunted house…and making peace with the ghosts that dwell in our hearts.
For Jennifer Boylan, creaking stairs, fleeting images in the mirror, and the remote whisper of human voices were everyday events in the Pennsylvania house in which she grew up in the 1970s. But these weren’t the only specters beneath the roof of the mansion known as the “Coffin House.” Jenny herself—born James—lived in a haunted body,
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