In 1863, as the War Between the States creeps inevitably toward its bloody conclusion, former Kentucky slave Britt Johnson ventures west into unknown territory with his wife, Mary, and their three children, searching for a life and a future. But their dreams are abruptly shattered by a brutal Indian raid upon the Johnsons’ settlement while Britt is away establishing a business. Returning to find his friends and neighbors slain or captured, his eldest son dead, his beloved and severely damaged Mary enslaved, and his remaining children absorbed into an alien society that will never relinquish its hold on them, the heartsick freedman vows not to rest until his family is whole again.
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Be prepared to meet three unforgettable women:
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son,
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A gripping novel of two sisters who must reimagine the future-before they’re ready to let go of the past.
As a girl, Margot Winkler knew her big sister Lacey would keep her safe. Decades later, Lacey’s home is often Margot’s refuge. Lacey’s life has seemed close to perfect-a loving husband, twin daughters on the brink of womanhood, and a home filled with her beautiful hand-woven textiles. But everything changes when Lacey reveals some devastating news. A rare disease is slowly stealing her ability to use language. Now Margot must imagine the future and find the courage to help her sister discover a new voice,
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I didn’t know that people come into our lives, and sometimes, if we’re terribly lucky, we get the chance to love them, that sometimes they stay, that sometimes you can, truly, depend on them.
Cathie Beck was in her late thirties and finally able to exhale after a lifetime of just trying to get by. A teenage mother harboring vivid memories of her own hardscrabble childhood, Cathie had spent years doing whatever it took to give her children the stability—or at least the illusion of it—that she’d never had. More than that, through sheer will and determination,
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“We’re just going to look.” Helen Brown had no intention of adopting a pet when she brought her sons, Sam and Rob, to visit a friend’s new kittens. But the runt of the litter was irresistible, with her overlarge ears and dainty chin.
When Cleo was delivered weeks later, she had no way of knowing that her new family had just been hit by a tragedy. Helen was sure she couldn’t keep her—until she saw something she thought had vanished from the earth forever: her son’s smile. The reckless, rambunctious kitten stayed.
Through happiness and heartbreak,
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Hilary Mantel’s Wolf Hall, winner of the 2009 Man Booker Prize, tells the story of Henry VIII and Anne Boleyn, of the execution of Thomas More and the English Reformation, all from a new vantage point—through the eyes of the man traditionally considered its villain. For centuries Thomas Cromwell has been widely regarded as the unprincipled and power-hungry opportunist whose influence on Henry VIII contributed to the worst excesses of Tudor England. But Mantel gives Cromwell a chance to tell his side of the story, from his humble beginnings at the hands of a drunk and abusive father,
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