In the 1880s in Glasgow, Scotland, medical student Archibald McCandless finds himself enchanted with the intriguing creature known as Bella Baxter. Supposedly the product of the fiendish scientist Godwin Baxter, Bella was resurrected for the sole purpose of fulfilling the whims of her benefactor. As his desire turns to obsession, Archibald’s motives to free Bella are revealed to be as selfish as Godwin’s, who claims her body and soul.
But Bella has her own passions to pursue. Passions that take her to aristocratic casinos, low-life Alexandria, and a Parisian bordello, reaching an interrupted climax in a Scottish church.
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Growing up in a deeply evangelical family in the Midwest in the ’80s and ’90s, Sarah McCammon was strictly taught to fear God, obey him, and not question the faith. Persistently worried that her gay grandfather would go to hell unless she could reach him, or that her Muslim friend would need to be converted, and that she, too, would go to hell if she did not believe fervently enough, McCammon was a rule-follower and–most of the time–a true believer. But through it all, she was increasingly plagued by fears and deep questions as the belief system she’d been carefully taught clashed with her expanding understanding of the outside world.
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Parisian private investigator Aimée Leduc doesn’t know that her life is about to be upended. Her ex, Melac, has been hounding her to move their daughter, Chloé, to Brittany. Aimée is fed up with his threats to take her to court and has stopped answering his calls. Which is why she doesn’t know he’s waiting for her by the Bassin de la Villette as she leaves a client’s office late one night. When she finds him there, bleeding in the canal, he has just been stabbed by an assailant, who knocks Aimée unconscious and plants the bloody knife in her hands.
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Getting a divorce in the 1950s looked very different from today. Unhappiness not enough of a cause for divorce, Reno, Nevada offered a safe haven for women to live temporarily to obtain residency and file for divorce. In The Divorcees, a debut historical fiction novel, Lois meets a group of other women staying at The Golden Yarrow, one of many divorce ranches. The women spend their days exploring outside, relaxing poolside, and drinking at casinos in the evenings. But everyone is not who they appear, and what exactly is the price a woman must pay for freedom?
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Now available in a deluxe paperback edition with gorgeous spray-painted and stenciled edges, Tomi Adeyemi’s groundbreaking West African-inspired fantasy debut, and instant #1 New York Times Bestseller, conjures a world of magic and danger, perfect for fans of Leigh Bardugo and Sabaa Tahir.
Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls.
But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope.
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1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.
But when Raquel becomes romantically involved with a well-connected older art student,
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