Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr’s relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.
When Riley Sinclair stepped into her new job as director of guest relations at a posh resort on Paradise Island, she felt the final pieces of her once-broken life coming together. But the waters become choppy when Riley discovers that some who come to the Atlantis Hotel are accompanied by paralyzing secrets and overwhelming fears. Riley and three guests are in desperate but unknowing need of each other, eventually forging unlikely yet powerful friendships. With a hurricane headed straight for the island, together they embark on a journey of laughter, heartache, and healing.
The Pattern in the Carpet: A Personal History with Jigsaws is an original and brilliant work. Margaret Drabble weaves her own story into a history of games, in particular jigsaws, which have offered her and many others relief from melancholy and depression. Alongside curious facts and discoveries about jigsaw puzzles–did you know that the 1929 stock market crash was followed by a boom in puzzle sales?–Drabble introduces us to her beloved Auntie Phyl, and describes childhood visits to the house in Long Bennington on the Great North Road, their first trip to London together, the books they read,
Sheridan Montgomery leads a charmed life as the wife of Eliot, U.S. ambassador to Venezuela. But an attack on their lives cripples Eliot, and they retreat to a remote Mexican village. As Sheridan quietly cares for her husband, she sees her dreams slipping away. Luke Traynor shatters their reverie when he arrives to tell Sheridan of her father’s heart attack and the evidence implicating him in a conspiracy. Sheridan returns to Chicago to untangle the web of her father’s past and is forced to confront her feelings for Luke, a trail of deceit, and the truth about her marriage.
In 2005, three years after our five-year-old daughter, Grace, died suddenly from a virulent form of strep, my husband, Lorne, our eleven-year-old son, Sam, and I found ourselves on a plane heading to China to adopt a baby girl. Our journey into adoption came from a belief that, even in such heartbreak and despair, we could love again. As soon as they placed eleven-month-old Annabelle in my arms, I knew that our hope of rebuilding our family again was indeed possible.
During the adoption process—the orientation, the miles of paperwork, the home visits, the long waits at the INS,
Italy, 1456. The Renaissance is in glorious bloom. A Carmelite monk, the great artist Fra Filippo Lippi acts as chaplain to the nuns of the Convent Santa Margherita. It is here that he encounters the greatest temptation of his life, beautiful Lucrezia Buti, who has been driven to holy orders more by poverty than piety. In Lucrezia’s flawless face Lippi sees the inspiration for countless Madonnas and he brings the young woman to his studio to serve as his model. But as painter and muse are united in an exhilarating whirl of artistic discovery, a passionate love develops, one that threatens to destroy them both even as it fuels some of Lippi’s greatest work.
