Sex, corruption, and power: the rise and fall of the Red Widow of Paris
Paris, 1889: Margeurite Steinheil is a woman with ambition. But having been born into a middle-class family and trapped in a marriage to a failed artist twenty years her senior, she knows her options are limited.
Determined to fashion herself into a new woman, Meg orchestrates a scandalous plan with her most powerful resource: her body. Amid the dazzling glamor, art, and romance of bourgeois Paris, she takes elite men as her lovers, charming her way into the good graces of the rich and powerful.
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A new generation comes to terms with China’s past
Cheng Gong and Li Jiaqi go way back. Both hailing from dysfunctional families, they grew up together in a Chinese provincial capital in the 1980s. Now, many years later, the childhood friends reunite and discover how much they still have in common. Both have always been determined to follow the tracks of their grandparents’ generation to the heart of a mystery that perhaps should have stayed buried. What exactly happened during that rainy night in 1967, in the abandoned water tower? Zhang Yueran’s layered and hypnotic prose reveals much about the unshakable power of friendship and the existence of hope.
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Adults wage war, while children are unwitting victims, pulled into a maelstrom of fear and hate without any choice. This is a story about two groups of teenagers on opposite sides of the world, forever connected by an act of war. It is a story about the adults some of those teens became, forever connected by acts of forgiveness, understanding, and peace. And it is a story about one remarkable man, whose heart belonged both to America and Japan, who put that peace and understanding in motion. Panning the camera wide, Tanya Lee Stone lays the global groundwork for the story’s context before zooming in on the lives of the people involved,
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Three teenagers are traveling northeast in a navy blue Ford pickup. Turi has fled his abusive family to see the beautiful New England landscape he’s always dreamed about. Arnulfo is undocumented and wants only to find someplace to work and live. Molly seeks a new life far away from her nowhere Missouri town. Turi and Arnulfo are best friends. Molly and Turi are falling in love.
But for all their innocence, violence follows the trio at every turn. The mean viejito who owns the truck wants it back. The narco who hid a deadly shipment in the truck really,
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Thirteen-year-old Aaliyah can’t wait for a concert by her favorite K-pop boy band, 3W. She isn’t too concerned with stories on the news about the rise of the far right—after all, it doesn’t affect her—until a terrorist attack at the concert changes everything.
Local racists are emboldened and anti-Muslim rhetoric starts cropping up at school and on the street. When Aaliyah starts getting bullied, she knows she has to do something to stand up to the hate. She decides that, instead of hiding who she is, she will begin wearing a hijab for the first time, to challenge how people in her community see Muslims.
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In the follow-up to the “bedazzling, bewitching, and be-wonderful” (New York Times) best-selling and Pulitzer Prize-winning Less: A Novel, the awkward and lovable Arthur Less returns in an unforgettable road trip across America.
“Go get lost somewhere, it always does you good.”
For Arthur Less, life is going surprisingly well: he is a moderately accomplished novelist in a steady relationship with his partner, Freddy Pelu. But nothing lasts: the death of an old lover and a sudden financial crisis has Less running away from his problems yet again as he accepts a series of literary gigs that send him on a zigzagging adventure across the US.
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