Two women. Two flights. One last chance to disappear.
Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan town house and a staff of ten, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he’s not above using his staff to track Claire’s every move, making sure she’s living up to his impossible standards.
But what he doesn’t know is that Claire has worked for months on a plan to vanish.
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When I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America.
The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland’s potato famine, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him in an attempt to allude the unwanted attentions of the son of her rich employer in St. Paul. But the morning after her arrival,
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For readers of Waiting for Tom Hanks and Well Met, a “gloriously satisfying” (Glamour) romantic comedy set at a Jane Austen fantasy resort from New York Times bestselling author Shannon Hale. Now a major motion picture starring Keri Russell and produced by Stephenie Meyer.
Jane Hayes is a young New Yorker with a real romantic problem: no man she meets can compare to her one true love–Mr. Darcy from Jane Austen’s Pride and Prejudice. But when a wealthy relative bequeaths her a trip to an English resort for Austen fanatics,
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A deliciously disarming debut novel about a twenty-something Londoner who discovers that she may have been looking for love—and pleasure—in all the wrong places (i.e., from men).
Julia has had enough. Enough of the sex noises her roommate makes. Enough of her dead-end government job. Enough of the one-night stand who accused her of breaking his penis. The only thing she hasn’t had enough of is orgasms; she hasn’t had proper sex in three years.
So when Julia gets invited to a warehouse party in a part of town where trendy people who have lots of sex go on a Friday night,
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The Great Recession has shuffled Clay Jannon away from life as a San Francisco web-design drone and into the aisles of Mr. Penumbra’s 24-Hour Bookstore. But after a few days on the job, Clay discovers that the store is more curious than either its name or its gnomic owner might suggest. The customers are few, and they never seem to buy anything—instead, they “check out” large, obscure volumes from strange corners of the store. Suspicious, Clay engineers an analysis of the clientele’s behavior, seeking help from his variously talented friends. But when they bring their findings to Mr. Penumbra, they discover the bookstore’s secrets extend far beyond its walls.
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A fastidious pet robot with a knack for knitting. A soporific giant pitching camp in the middle of a city. A mysterious mime whose upcoming performance has the whole town on edge.
The stories in Mark Polanzak’s BOA Short Fiction Prize-winning The OK End of Funny Town stitch fantastic situations into the drab fabric of everyday life. Polanzak delights in stretching every boundary he encounters, from the academic focus on practical learning at the New Community School, to the ever-changing tastes of diners in search of the next big trend in local cuisine.
Wondrous yet familiar,
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