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CARL MELCHER GOES TO VIETNAM

The year is 1968. Like thousands of other American boys, Carl Melcher is drafted and sent to Vietnam. His new company is infected with the same racial tensions plaguing the nation. Despite that, Carl makes friends on both sides of the color line. The war, like a tiger lurking in the bushes, picks off its victims one by one. Naively over-optimistic, Carl believes that karma and good intentions will save him and his friends. Then fate intervenes to teach Carl something of the meaning of life, and death.

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THE DESERT DWELLERS TRILOGY

This packaged set of three acclaimed novels, covers twelve transformative years—1875 to 1887—in the life of the series’ big-hearted protagonist. The Reformer’s Apprentice opens with Frieda juggling a double life: adoring follower of a pioneer feminist and unpaid, harassed cook at her father’s San Francisco kosher boardinghouse. At twenty-two, she flees with an Arizona pioneer, a Jew, of sorts. In the First Lady of Dos Cacahuates Frieda survives sandstorms, flashfloods, heat, infidelity (surprisingly hers), fraudulence, and poverty. But Bennie’s love for her, Dos Cacahuates, and the desert proves contagious. Reckoning occurs in On Her Way Home, when her visiting kid sister is kidnapped by a mur­derer.

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EVENING FERRY

Following the success of Snow Island (2002), Katherine Towler returns to the fictional New England island with Evening Ferry— the second installment of the multi-generational trilogy about family bonds, unexpected love, and the threat of war.

In the summer of 1965, Rachel returns to Snow Island to care for her injured father and discovers her mother’s diaries hidden in a closet. Reading Phoebe Shattuck’s account of her life as a wife and a mother, Rachel learns the truth about her own family’s history, her mother’s death, and her own aspirations to lead a new life.

In elegant prose and inspired storytelling,

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THE FAMILY TREE

When Rebecca Monroe—married to Alistair, a scientist who doesn’t believe in fate, but rather genetic disposition—discovers that she is pregnant, she begins to question what makes us who we are and whether her own precarious family history will play a role in her future.

For Rebecca, the wry and observant narrator of The Family Tree, simple things said over breakfast take on greater meaning; a home-improvement project foreshadows darker things to come; the color of one’s eyes, the slope of a forehead are all missing pieces to the truth behind the family tree.

At once nostalgic and refreshingly original,

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THE GILDED CHAMBER

For centuries her name has been a byword for feminine beauty, guile, and wisdom. This sweeping, meticulously researched novel restores Esther to her full, complex humanity while reanimating the glit­tering Persian Empire in which her story unfolded. Esther comes to that land as a terrified Jewish orphan betrothed to her cousin, a well-connected courtier. She finds a world racked by intrigue and unfathomable hatreds and realizes that the only way to survive is to win the heart of its king. Pas­sionate, suspenseful, and historically authentic, The Gilded Chamber illu­minates the dilemma of a woman torn between her heart and her sense of duty,

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GILEAD

Told through the eyes of a Midwestern minister nearing the end of his life, Gilead unfolds in the form of a letter. As Reverend Ames writes to his young son, we learn of the family’s legacy, a heritage steeped in abolition, economic hardship, and conflicting views on religion and war as each generation comes of age. The 1950s find John Ames comparing his grandfather, a fiery Union Army chaplain, to his devoutly pacifist father while a gentle turn of events poses the question of racial equality in new terms. Throughout the novel, he recalls a life shaped by love—for his faith,

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