One November morning, Ben Bailey walks out of his Flagstaff, Arizona, home to retrieve the paper. Instead, he finds Ricky Begay, a young Navajo man, beaten and dying in the newly fallen snow.
Unable to forget the incident, especially once he meets Ricky’s sister, Shadi, Ben begins to question everything, from his job as a part-time history professor to his fiancée, Sara. When Ben first met Sara, he was mesmerized by her optimism and easy confidence. These days, their relationship only reinforces a loneliness that stretches back to his fractured childhood.
Ben decides to discover the truth about Ricky’s death,
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When seven-year-old Bethany meets her six-year-old cousin Reana Mae, it’s the beginning of a kinship of misfits that saves both from a bone-deep loneliness. Every summer, Bethany and her family leave Indianapolis for West Virginia’s Coal River Valley. For Bethany’s mother, the trips are a reminder of the coalmines and grinding poverty of her childhood, of a place she’d hoped to escape. But her loving relatives, and Bethany’s friendship with Reana Mae, keep them coming back.
But as Bethany grows older, she realizes that life in this small, close-knit community is not as simple as she once thought…that the riverside cabins that hold so much of her family’s history also teem with scandalous whispers…and that those closest to her harbor unimaginable secrets.
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In a crumbling apartment building in post-Soviet Russia, there’s a ghost who won’t keep quiet.
Mircha fell from the roof and was never properly buried, so he sticks around to heckle the living: his wife, Azade; Olga, a disillusioned translator/censor for a military newspaper; Yuri, an army veteran who always wears an aviator’s helmet; and Tanya, a student of hope, words, and color.
Tanya carries a notebook wherever she goes, recording her dreams of finding love and escaping her job at the All-Russia All-Cosmopolitan Museum, a place that holds a fantastic and terrible collection of art knockoffs created with the materials at hand,
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Pao is about to marry the wrong woman. Seven years after he immigrates to Jamaica from China, he meets Gloria, a beautiful Jamaican prostitute who steals his heart. But Pao’s beloved mentor, Zhang, from whom he inherited the Chinatown “family business,” does not approve of Gloria. So Pao decides to marry Fay Wong, the elegant daughter of one of Kingston’s richest Chinese men. Suddenly Pao is running not only the Chinatown underworld, but also many legitimate businesses too, thanks to his profitable marriage.
But Fay is miserable in Chinatown; she plots an escape to England, taking her two children with her.
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When Evie and her father say good-bye at the train station, they are both on their own for the first time since her mother’s death. But Evie is not lonely for long. At art school in London, she is quickly caught up in colors and critiques, gallery visits and sketching expeditions. She finds fiercely loyal friends—Rob, pragmatic and pregnant; Bianca, dramatic and Italian; and Cecile, the sidelined ballerina—and stumbles tentatively toward a relationship with Zeb, a second-year sculptor with hair blue-black like a crow.
But when her father arrives in the city, sour with alcohol and slumped on the doorstep of her new home,
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In 1559, a young woman painter flees a scandal involving one of Michelangelo’s students, and is taken to the Spanish court, where she becomes the young queen’s confidante and lady-in-waiting. Through her keenly trained eye, readers watch a love triangle unfold involving the queen, the king, and his half brother-a dangerous gamble that risks the lives of the queen and all those who keep her secrets.
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