In this Pygmalion tale of a novelist turned bond trader, Martha McPhee brings to life the greed and riotous wealth of New York during the heady days of the second gilded age. India Palmer, living the cash-strapped existence of the writer, is visiting wealthy friends in Maine when a yellow biplane swoops down from the clear blue sky to bring a stranger into her life, one who will change everything. The stranger is Win Johns, a swaggering and intellectually bored trader of mortgage- backed securities. Charmed by India’s intelligence, humor, and inquisitive nature—and aware of her near-desperate financial situation—Win poses a proposition: “Give me eighteen months and I’ll make you a world-class bond trader.”
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When Kimberly Chang and her mother emigrate from Hong Kong to Brooklyn squalor, she begins a secret double life: exceptional schoolgirl during the day, Chinatown sweatshop worker in the evenings. Disguising the more difficult truths of her life—like the staggering degree of her poverty, the weight of her family’s future resting on her shoulders, or her secret love for a factory boy who shares none of her talent or ambition—Kimberly learns to constantly translate not just her language but also herself back and forth between the worlds she straddles.
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During the summer of 1968 in Rockbridge County, Virginia, eleven-year-old Shenandoah Carmody’s mother disappeared. Her twin sister, Woody, stopped speaking, and her once-loving father slipped into a mean drunkenness unbefitting a superior court judge. As the first anniversary of their mother’s disappearance nears, her father’s threat to send Woody away and his hints at an impending remarriage spur a desperate Shenny to find her mother—before it’s too late.
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In Under Heaven, Kay tells a story of honor and power, this time in a setting that evokes the dazzling Tang Dynasty of eighth-century China. In recognition of his service to the Emperor of Kitai, Shen Tai has been sent a mysterious and dangerous gift: 250 Sardian horses. Wisely the gift comes with the stipulation that the horses must be claimed in person. Otherwise, he would probably be dead already.
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Tom Franklin’s extraordinary talent has been hailed by the leading lights of contemporary literature—Phillip Roth, Richard Ford, Lee Smith, and Dennis Lehane. Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O’Connor, Elmore Leonard, and Cormac McCarthy.
Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas “32”
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There was your photo, in a magazine. Of course, you are older now. Still, I’d know you anywhere.
Suburban wife and mother Eliza Benedict’s peaceful world falls off its axis when a letter arrives from Walter Bowman. In the summer of 1985, when Eliza was fifteen, she was kidnapped by this man and held hostage for almost six weeks. Now he’s on death row in Virginia for the rape and murder of his final victim, and Eliza wants nothing to do with him. Walter, however, is unpredictable when ignored—as Eliza knows only too well—and to shelter her children from the nightmare of her past,
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