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THE WAKE OF FORGIVENESS

On a moonless Texas night in 1895, an ambitious young landowner suffers the loss of “the only woman he’s ever been fond of” when his wife dies during childbirth with the couple’s fourth boy, Karel. From an early age Karel proves so talented on horseback that his father enlists him to ride in acreage-staked horseraces against his neighbors. But Karel is forever haunted by thoughts of the mother he never knew, by the bloodshot blame in his father’s eyes, and permanently marked by the yoke he and his brothers are forced to wear to plow the family fields. Confident only in the saddle,

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WHEREVER GRACE IS NEEDED

When Grace Oliver leaves Portland for Austin, Texas, to help her father, Lou, recuperate from a car accident, she expects to stay just a few weeks. Since her mother’s divorce thirty years ago, Grace has hovered on the periphery of the Oliver family. But now she sees a chance to get closer to her half-brothers and the home she’s never forgotten.

But the Olivers are facing a crisis. Tests reveal that Lou, a retired college professor whose sharp tongue and tenderness Grace adores, is in the early stages of Alzheimer’s disease. Grace delays her departure to care for him,

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DOWN FROM CASCOM MOUNTAIN

Ann Joslin Williams grew up observing the craft of writing: her father, Thomas Williams, was a National Book Award–winning novelist. Many of his stories were set in the fictional town of Leah, New Hampshire, and on nearby Cascom Mountain, locations that closely mirrored the landscape of the Williamses’ real hometown. With Down from Cascom Mountain, Ann Joslin Williams proves herself a formidably talented novelist in her own right, while paying tribute to her father by setting her debut novel in the same fictional world—the New Hampshire he imagined and that she has always known.

In Down from Cascom Mountain,

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SKINNY

Gray Lachmann is 26 years old, lives in Brooklyn with her boyfriend, Mikey, a comedian on the rise, and runs her own successful comedy booking business. But she’s unable to come to terms with the recent death of her father—a man who had grown increasingly Orthodox in his Judaism in the years before he died, and from whom she was estranged because Mikey isn’t Jewish. In her search for answers, she takes a job as a counselor at Camp Carolina, a weight-loss camp of dubious credentials in North Carolina. There, she is surrounded by a compelling cast of characters: her devious co-counselor,

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FAR TO GO

When Czechoslovakia relinquishes the Sudetenland to Hitler, the powerful influence of Nazi propaganda sweeps through towns and villages like a sinister vanguard of the Reich’s advancing army. A fiercely patriotic secular Jew, Pavel Bauer is helpless to prevent his world from unraveling as first his government, then his business partners, then his neighbors turn their back on his affluent, once-beloved family. Only the Bauers’ adoring governess, Marta, sticks by Pavel, his wife, Anneliese, and their little son, Pepik, bound by her deep affection for her employers and friends. But when Marta learns of their impending betrayal at the hands of her lover,

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WHEN WE DANCED ON WATER

At eighty-five, Teo is ready to retire from the bombast and romance of life as one of the world’s most influential choreographers. But when he meets Vivi, a fortyish waitress at a Tel Aviv café, the fires of his youth flare back to life—his passion for a woman’s touch, his long-buried anguish at his wartime experiences, and his complex engagement with dance. Vivi’s life will change, too, as the warmth of Teo’s affection counterbalances her harrowing time as an Israeli soldier in an illicit relationship. For both, their investment in art, and indeed in life itself, will reawaken as the ghosts of their suppressed pasts—from Warsaw to Copenhagen,

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