Manhattan, 1964. Vivian Schuyler, newly graduated from Bryn Mawr College, has recently defied the privilege of her storied old Fifth Avenue family to do the unthinkable for a budding Kennedy-era socialite: break into the Madison Avenue world of razor-stylish Metropolitan magazine. But when she receives a bulky overseas parcel in the mail, the unexpected contents draw her inexorably back into her family’s past, and the hushed-over crime passionnel of an aunt she never knew, whose existence has been wiped from the record of history.
Berlin, 1914. Violet Schuyler Grant endures her marriage to the philandering and decades-older scientist Dr.
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The Sanctuary. High up on the mountain, the Sanctuary is a place of refuge. It is a place where humans save dogs, who, in turn, save the humans. It is a place where the past does not exist, where hopelessness is chased away, where the future hasn’t been written, where orphans and strays can begin to imagine a new meaning for “family.”
Evie is making her way to the Sanctuary. She has lied to gain entry. She has pretended to know more than she does about dogs, but she is learning fast. Once the indomitable Mrs. Auberchon lets her pass,
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Anna Brundage is a rock star. She was an overnight indie sensation, but lost her fame just as fast as she found it. Now forty-four, she pours everything into a comeback, selling her famous father’s art to finance an album and a European tour. A riveting look at the life of a musician and the moving story of a woman’s unconventional path, Wonderland is a glimpse of how it feels when a wish just might come true.
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Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world.
Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.
Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday,
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Spare and unsparing, God Help the Child—the first novel by Toni Morrison to be set in our current moment—weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult.
At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths.
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From the author of the acclaimed The Girl Below comes a stunning novel of one woman’s attempt to outrun the destiny that is predicted for her, moving from a remote New Zealand commune in the waning days of 1970s free-love experimentation to the heady music scene of 1980s London.
Gaialands, a bucolic vegan commune in the New Zealand wilderness, is the only home fifteen-year-old Poppy has ever known. It’s the epitome of 1970s counterculture—a place of free love, hard work, and high ideals…at least in theory. The reality is complicated and sometimes fraught, especially as its children reach adolescence.
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