Alice LaPlante’s acclaimed psychological thrillers are distinguished by their stunning synthesis of family drama and engrossing suspense. Her new novel, Coming of Age at the End of Days, is an incisive foray deeper into the creases of family life—and the light-and-dark battle of faith—as LaPlante delves into the barbed psyche of a teenager whose misguided convictions bear irrevocable consequences.
Never one to conform, Anna always had trouble fitting in. Earnest and willful, as a young girl she quickly learned how to hide her quirks from her parents and friends. But when, at sixteen, a sudden melancholia takes hold of her life,
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The Mistake I Made is the latest page-turner from one of the England’s most captivating new thriller writers. In her provocative and riveting third novel, Paula Daly focuses her masterful eye for psychological suspense and family drama on an indecent proposal that has fatal repercussions.
Single mother Roz has reached the breaking point. After the dissolution of her marriage, Roz’s business has gone under, debts are racking up, the rent is late (again), and she’s struggling to provide for her nine-year-old son, who is starting to misbehave in school. Roz is in trouble. Real trouble.
When Roz returns home from work one day and finds an eviction notice,
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From the acclaimed author of Corelli’s Mandolin, here is a sumptuous, sweeping, powerfully moving new novel about a British family whose lives and loves are indelibly shaped by the horrors of World War I and the hopes for its aftermath.
In the brief golden years of the Edwardian era the McCosh sisters—Christabel, Ottilie, Rosie and Sophie—grow up in an idyllic household in the countryside south of London. On one side, their neighbors are the proper Pendennis family, recently arrived from Baltimore, whose close-in-age boys—Sidney, Albert and Ashbridge—shake their father’s hand at breakfast and address him as “sir.” On the other side is the Pitt family: a “resolutely French” mother,
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Extravagant, inventive, emotionally sweeping, Corelli’s Mandolin is the story of a timeless place that one day wakes up to find itself in the jaws of history. The place is the Greek island of Cephallonia, where gods once dabbled in the affairs of men and the local saint periodically rises from his sarcophagus to cure the mad. Then the tide of World War II rolls onto the island’s shores in the form of the conquering Italian army.
Caught in the occupation are Pelagia, a willful, beautiful young woman, and the two suitors vying for her love: Mandras,
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He was the brother of “the Arab” killed by the infamous Meursault, the antihero of Camus’s classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling’s memory, refuses to let him remain anonymous: he gives his brother a story and a name—Musa—and describes the events that led to Musa’s casual murder on a dazzlingly sunny beach.
In a bar in Oran, night after night, he ruminates on his solitude, on his broken heart, on his anger with men desperate for a god, and on his disarray when faced with a country that has so disappointed him.
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In the vein of Meg Donohue and Jennifer Close, comes Cecilia Galante’s adult debut about the complicated and powerful bonds of female friendship—a compelling, moving novel that is told in both the present and the past.
Thrown together by chance as teenagers at Turning Winds Home for Girls, Nora, Ozzie, Monica, and Grace quickly bond over their troubled pasts and form their own family which they dub The Invisibles. But when tragedy strikes after graduation, Nora is left to deal with the horrifying aftermath alone as the other three girls leave home and don’t look back.
Fourteen years later,
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