Eleanor Coppola shares her extraordinary life as an artist, filmmaker, wife, and mother in a book that captures the glamour and grit of Hollywood and reveals the private tragedies and joys that tested and strengthened her over the past twenty years.
Her first book, Notes on the Making of Apocalypse Now, was hailed as “one of the most revealing of all first hand looks at the movies” (Los Angeles Herald Examiner). And now the author brings the same honesty, insight, and wit to this absorbing account of the next chapters in her life.
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It is 1527. The English Renaissance is in full swing under the young King Henry VIII. The young German painter Hans Holbein, who has come to London to seek his fortune, is delighted when he gets a commission to paint the family of Thomas More, one of England’s leading statesman and men of learning, at his country home in Chelsea.
The story is seen through the eyes of More’s young ward Meg, and shows her growing feelings for her tutor, a man of mysterious background called John Clement, whom she will marry, and for Holbein himself, whom she will love.
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At 34, Scarlet Kavanagh has the kind of homecoming no child wishes, a visit back to family and dear friends for the gentle passing of her mother, Addie, a famous bird artist and an even more infamous environmental activist. Though Addie and her husband, ornithologist Tom Kavanagh, have made their life in southeastern Pennsylvania, Addie has chosen to die at the New Jersey home of her dearest friend, Cora. This is because the Kavanagh’s ramshackle cottage is filled with too much history and because, in the last ten years or so, and for reasons that are not entirely clear, even bird song has seemed to make Addie angry,
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;Paris in the 1860s: a magnificent time of expression, where brilliant young artists rebel against the stodginess of the past to freely explore new styles of creating—and bold new ways of living.
Passionate, beautiful, and utterly devoted to her art, Berthe Morisot is determined to be recognized as an important painter. But as a woman, she finds herself sometimes overlooked in favor of her male counterparts—Monet, Pissarro, Degas.
And there is one great artist among them who captivates young Berthe like none other: the celebrated genius Édouard Manet. A mesmerizing, breathtaking rogue—a shameless roué, undeterred and irresistible—his life is a wildly overgrown garden of scandal.
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People of the Book traces the harrowing journey of a rare illuminated six hundred year old Jewish prayer book told through the eyes of the people who crafted it and those who saved it from destruction, and the young Australian book conservator who unlocks its multi-ethnic secrets, by the winner of the 2006 Pulitzer Prize for Fiction.
In 1996, Hanna Heath, a young Australian book conservator, has been called to handle the job of a lifetime: analysis of the famed Sarajevo Haggadah, a priceless six hundred year old Jewish prayer book that has been salvaged from the destroyed Bosnian library by a courageous librarian.
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In the basement of a Boston bookstore, Firmin is born in a shredded copy Finnegans Wake, nurtured on a diet of Zane Grey, Lady Chatterley’s Lover, and Jane Eyre (which tastes a lot like lettuce). While his twelve siblings gnaw these books obliviously, for Firmin the words, thoughts, deeds, and hopes—all the literature he consumes—soon consume him. Emboldened by reading, intoxicated by curiosity, foraging for food, Firmin ventures out of his bookstore sanctuary, carrying with him all the yearnings and failings of humanity itself. It’s a lot to ask of a rat—especially when his home is on the verge of annihilation.
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