Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable,
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All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn’t have any answers.
Until the day when she and her friends discover a box hidden in the attic—a box full of letters signed “Love, Edith,” and photos of a woman who looks just like her.
Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about?
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It’s Beatriz’s quinceañera, and she is ready to be treated like royalty. But when her brother, the leader of the Diablos, is gunned down by a rival gang, Beatriz will never be the same again. Her dreams of dancing, her hopes for fame, and her love of music died with Junito.
But when handsome brainiac, Nasser, asks her to join a dance competition with him—one that could land them both a role on Beatriz’s favorite TV show, Fame—Beatriz starts to feel the music again. And Nasser makes her feel alive again. But with her Mami practically catatonic with grief,
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A heartfelt memoir about the immigrant experience from NPR correspondent Aarti Shahani, Here We Are: American Dreams, American Nightmares follows the lives of Aarti, the precocious scholarship kid at one of Manhattan’s most elite prep schools, and her dad, the shopkeeper who mistakenly sells watches and calculators to the notorious Cali drug cartel. Together, the two represent the extremes that coexist in our country, even within a single family, and a truth about immigrants that gets lost in the headlines. It isn’t a matter of good or evil; it’s complicated. Here We Are is a coming-of-age story,
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Set against a backdrop of world-changing events during the headiest years of the Cuban Revolution, Goodbye, My Havana follows Anna Veltfort’s young alter ego Connie as her once relatively privileged life among a community of anti-imperialist expatriates turns to progressive disillusionment and heartbreak. The consolidation of Castro’s position brings violence, cruelty, and betrayal to Connie’s doorstep. And the crackdown that ultimately forces her family and others to flee for their lives includes homosexuals among its targets—Connie’s coming-of-age story is one also about the dangers of coming out. Looking back with a mixture of hardheaded clarity and tenderness at her alter ego and a forgotten era,
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At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school football team, while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her job at Marianne’s house, a strange and indelible connection grows between the two teenagers—one they are determined to conceal.
A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another,
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