An exciting debut novel that gives voice to the diverse residents of a Palestinian American community in Baltimore—from young activists in conflict with their traditional parents to the poor who clean for the rich—lives which intersect across divides of class, generation, and religion.
Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families—the Baladis, the Salamehs, and the Ammars—Palestinian immigrants who’ve all found a different welcome in America.
Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi,
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A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars–doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.
First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient work,
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The Korean smash hit available for the first time in English, a slice-of-life novel for readers of Matt Haig’s The Midnight Library and Gabrielle Zevin’s The Storied Life of AJ Fikry.
Yeongju is burned out. She did everything she was supposed to: go to school, marry a decent man, get a respectable job. Then it all fell apart. In a leap of faith, she abandons her old life, quits her high-flying career, and follows her dream: opening a bookshop. In a quaint neighborhood in Seoul, surrounded by books, Yeongju and her customers take refuge.
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Daejeon, South Korea. 1980. At twenty-four, Insuk falls in love with her college classmate, Sungho, and with her father’s blessing, they marry. But then, as the military dictatorship, martial law, and nationwide protests bring the country precariously to the edge, Insuk’s father disappears.
In the wake of his disappearance, Insuk flees to California with Sungho, their son Henry, and Sungho’s overbearing mother. Adrift in a new country, Insuk grieves the loss of her past and divided homeland, only to find herself drawn into an illicit affair that sets into motion dramatic events that will echo for generations to come.
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Tsotsil-Maya elder, curer, singer, and artist Maruch Méndez Pérez began learning about birds as a young shepherdess climbing trees and raiding nests for eggs to satisfy her endless hunger. As she grew into womanhood and apprenticed herself to older women as a curer and seer, the natural history of birds she learned so roughly as a child expanded to include ancestral Maya beliefs about birds as channels of communication with deities in the spirit world who had dominion over human lives. In these testimonies dictated to her lifelong friend, anthropologist Diane Rus, Méndez Pérez describes her years of dreams, instruction,
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When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told.
Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land,
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