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A GIRL LIKE YOU

In the 1930s and ’40s in Angelina, California, Satomi is the only girl with one white parent and one Japanese parent. There are Japanese families, but Satomi is neither a part of the white community nor the Japanese one. She is “other” to both.

Things get worse for Satomi–and all people with even a drop of Japanese blood–when Japan poses a threat to the United States. Her father joins the Navy, in part to fight for his country, and in part to protect his wife and daughter from racist citizens, but dies in the bombing of Pearl Harbor.

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TIGER BABIES STRIKE BACK

Kim Wong Keltner is a Tiger Baby all grown up with a daughter of her own . . . but is she a Tiger Mother? Heck, no. This book describes—in hilarious, and sometimes heartbreaking, detail—exactly why not.

A battle hymn for every non-Tiger offspring of Tiger parents, Tiger Babies Strike Back examines why generations of kids have been made to feel inferior, isolated, suffocated, and humiliated in dogged pursuit of one goal: making their elders look good. In search of answers, Keltner delves into her own childhood, family history, and community traditions to expose the seamy underbelly of perfectionistic parenting.

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HAPPIER AT HOME

One Sunday afternoon, as she unloaded the dishwasher, Gretchen Rubin felt hit by a wave of homesickness. Homesick—why? She was standing right in her own kitchen. She felt homesick, she realized, with love for home itself. “Of all the elements of a happy life,” she thought, “my home is the most important.” In a flash, she decided to undertake a new happiness project, and this time, to focus on home.

And what did she want from her home? A place that calmed her, and energized her. A place that, by making her feel safe, would free her to take risks.

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THE ROUND HOUSE

The Round House won the National Book Award for fiction.

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and thirteen-year-old son, Joe. In one day, Joe’s life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared.

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THE MASK CARVER’S SON

1890. Yamamoto Kiyoki is a Japanese art student, dreaming of studying in Paris with the inspiring and vibrant Impressionist painters.

Yamamoto Ryusei is Kiyoki’s father. Ryusei’s art, carving intricate masks for traditional Japanese theater, has been his refuge from loneliness since the death of his beloved wife, and he is revered as the most inspired artist of his kind. He expects his only son to honor the traditions of his family and his country, not to be seduced by Western ideas of what is beautiful. Ryusei hopes Kiyoki will follow his own distinguished career, creating masks that will become the family’s crowning achievement.

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SCHRODER

A lyrical and deeply affecting novel recounting the seven days a father spends on the road with his daughter after kidnapping her during a parental visit.

Attending a New England summer camp, young Eric Schroder-a first-generation East German immigrant-adopts the last name Kennedy to more easily fit in, a fateful white lie that will set him on an improbable and ultimately tragic course.

Schroder relates the story of Eric’s urgent escape years later to Lake Champlain, Vermont, with his six-year-old daughter, Meadow, in an attempt to outrun the authorities amid a heated custody battle with his wife,

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