Newly divorced and feeling the pain of separation from his family, Hud Smith channels his regret into writing country-western songs, contemplating life on the lam with his 8-year-old daughter, and searching cryptic postcards for news of his teenage son, who has run off with The Daughters of God, an alternative Gospel-punk band of growing fame.
In this endearing misadventure that threatens to turn out right in spite of it all, Schaffert writes a thin line between tragedy and hilarity, turning wry humor and a keen sense of the paradoxical onto characters who deserve all the tender care he gives them.
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As dementia overtakes Hannah Pearl, she slips backward in memory to her escape from France in 1940; boarding the ferry with her heavy bags; the whistle of bombs raining down on London; the family she left behind. Her daughter Miranda, distraught by Hannah’s fading lucidity and sudden switch to her childhood French, tries desperately to hold her in the present. Fiona, a new mother and the older of Hannah’s two granddaughters, ignores the ghosts of her grandmother’s past, while her sister, fiery Ida, seeks to delve into Hannah’s story, eventually returning to France to find the roots of her grandmother’s life—and her own.
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Jacob Green doesn’t mean to disappoint his father, but he can’t help thinking the most unthinkable (and very funny) thoughts about public-school humiliation, Hebrew-school disinclination, and in-home sex education (with the live-in nanny!). If only his mother hadn’t started college at thirty-six (and fallen for her psychology professor). If only he were more like his rebellious older brother (suspended from Hebrew school for drawing the rabbi in a threesome with a lobster and a pig). If only Jacob could confront his overbearing father and tell him he doesn’t want to sing in synagogue, attend est classes, write the perfect thank-you note,
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In Alice Greenway’s exquisite gem of a novel, two girls tumble into their teenage years against the extraordinary backdrop of a Hong Kong dealing with the threat of communist China bubbling at its borders and the carnage in Vietnam that calls their father back time and again, like a moth to a flame. This astonishing literary debut is a tale of sacrifice and solidarity that gleams with the kind of intense, complicated love that only exists between sisters. In this novel based on historical fact, Jim Fergus takes readers on a journey of magnificent sweep and heartbreaking consequence peopled with unforgettable characters.
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Disgrace—set in post–apartheid Cape Town and on a remote farm in the Eastern Cape—is deft, lean, quiet, and brutal. A heartbreaking novel about a man and his daughter, Disgrace is a portrait of the new South Africa that is ultimately about grace and love.
At fifty—two Professor David Lurie is divorced, filled with desire but lacking passion. An affair with one of his students leaves him jobless and friendless, except for his daughter, Lucy, who works her smallholding with her neighbor, Petrus, an African farmer now on the way to a modest prosperity. David’s attempts to relate to Lucy,
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When Melanie Marsh learns that her son Daniel is autistic, she becomes determined to fight to teach Daniel to speak, play, and become as normal as possible. Melanie’s enchanting disposition has helped her weather some of life’s storms, but Daniel’s autism may just push her over the brink, destroying her resolute optimism and bringing her unsteady marriage to its end. Surprisingly funny yet deeply moving, Daniel Isn’t Talking is the story of a mother and a family in crisis. What sets it apart from most novels about difficult subjects is Marti Leimbach’s ability to write about a sad and frightening situation with a seamless blend of warmth,
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