“I have written about the joys of love. I have, in my secret heart, long dreamt of an intimate connection with a man; every Jane, I believe, deserves her Rochester.”
Though poor, plain, and unconnected, Charlotte Bronte possesses a deeply passionate side which she reveals only in her writings—creating Jane Eyre and other novels that stand among literature’s most beloved works. Living a secluded life in the wilds of Yorkshire with her sisters Emily and Anne, their drug-addicted brother, and an eccentric father who is going blind, Charlotte Bronte dreams of a real love story as fiery as the ones she creates.
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As an only child, Janet longs for a sister her parents are unable to give her. In kindergarten she meets Sophie, a strange and imaginative girl with a troubled family life. As friendship grows between the two girls, Janet believes her prayers have been answered, especially when members of her family embrace Sophie as one of their own.
Sophie’s troubles continue to follow her through high school, and Janet stands by her “sister” until, in adulthood, she learns of a devastating secret Sophie has kept from her. Janet’s world is turned upside down—and she discovers there may be a limit to what sisters should share.
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Meet Dahlia Finger: twenty-nine, depressed, whip-smart, occasionally affable, bracingly honest, resolutely single, and perennially unemployed. She spends her days stoned in front of the TV, watching the same movies repeatedly, like “a form of prayer.” But when Dahlia’s so-called life is upended by a terminal brain tumor, she must work toward reluctant emotional reckoning with the aid of a questionable self-help guide. Stunned, she obsessively revisits the myriad heartbreaks, disappointments, rages, and regrets that comprise the story of her life. With her take-no-prisoners perspective, her depressive humor, and her extreme vulnerability, Dahlia Finger walks a dazzling line between gravitas and irreverence,
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Nan Powell is a free-spirited, sixty-five-year-old widow who’s not above skinny-dipping in her neighbors’ pools when they’re away and who dearly loves her Nantucket home. But when she discovers that the money she thought would last forever is dwindling, she realizes she must make drastic changes to save her beloved house. So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach.
Slowly people start moving in to the house, filling it with noise, laughter,
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Itsik Malpesh was born the son of a goose-plucking factory manager during the Russian pogroms – his life saved on the night it began by the young daughter of a kosher slaughterer. Or so he believes…
Exiled during the war, Itsik eventually finds himself in New York, working as a typesetter and writing poetry to his muse, the butcher’s daughter, whom he is sure he will never see again. But it is here in New York that Itsik is unexpectedly reunited with his greatest love – and, later, his greatest enemy – with results both serendipitous and tragic.
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The only piece of information that Summer Davis takes away from her years at Peninsula Upper School—one of the finest in the Brooklyn Heights-to-Park Slope radius, to quote the promotional materials—is the concept that DNA defines who we are and forever ties us to our relatives. A loner by circumstance, a social outcast by nature, and a witty and warm narrator of her own unimaginable chaos by happenstance, Summer hangs on to her interest in genetics like a life raft, in an adolescence marked by absence: her beautiful, aloof mother abandons the family without a trace; her father descends into mental illness,
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