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RUNNING WITH SISSORS

Running with Scissors is the true story of a boy whose mother (a poet with delusions of Anne Sexton) gave him away to be raised by her unorthodox psychiatrist who bore a striking resemblance to Santa Claus. So at the age of twelve, Burroughs found himself amidst Victorian squalor living with the doctor’s bizarre family, and befriending a pedophile who resided in the backyard shed. The story of an outlaw childhood where rules were unheard of, and the Christmas tree stayed up all year round, where Valium was consumed like candy, and if things got dull an electroshock- therapy machine could provide entertainment.

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NOT MY DAUGHTER

A pregnancy pact between three teenaged girls puts their mothers’ love to the ultimate test in this explosive new novel from Barbara Delinsky, “a first- rate storyteller who creates characters as familiar as your neighbors.” (Boston Globe)

When Susan Tate’s seventeen-year-old daughter, Lily, announces she is pregnant, Susan is stunned. A single mother, she has struggled to do everything right. She sees the pregnancy as an unimaginable tragedy for both Lily and herself.

Then comes word of two more pregnancies among high school juniors who happen to be Lily’s best friends-and the town turns to talk of a pact.

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THE STORY OF A MARRIAGE

“We think we know the ones we love.” So Pearlie Cook begins her indirect, and devastating exploration of the mystery at the heart of every relationship–how we can ever truly know another person.

It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband’s fragile health, but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. Lyrical, and surprising, The Story of a Marriage is, in the words of Khaled Housseini,

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TRIANGLE

By the time she dies at age 106, Esther Gottesfeld, the last survivor of the Triangle Shirtwaist fire, has told the story of that day many times. But her own role remains mysterious: How did she survive? Are the gaps in her story just common mistakes, or has she concealed a secret over the years? As her granddaughter seeks the real story in the present day, a zealous feminist historian bears down on her with her own set of conclusions, and Esther’s voice vies with theirs to reveal the full meaning of the tragedy.

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WHAT I LOVED

What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo’s story, which spans twenty-five years, follows the growing involvement between his family and Bill’s–an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their sons, Matthew and Mark.

The families live in the same New York apartment building, rent a house together in the summers and keep up a lively exchange of ideas about life and art,

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THE BELIEVERS

When New York radical lawyer Joel Litvinoff is felled by a stroke, his wife, Audrey, uncovers a secret that forces her to re-examine her ideas about him and their forty-year marriage. Joel’s adult children will soon have to come to terms with this unsettling discovery themselves, but for the meantime, they are grappling with their own dilemmas.

Take Rosa, drawn ineluctably to the faith of Orthodox Judaism, despite her parents’ ferocious disapproval of organized religion. Or Karla, obsessed with her weight and trapped in a stale marriage to Mike, who worries that the arrival of a child will create more problems than it will solve in their relationship.

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