From childhood, willful, intelligent Saira Qader broke the boundaries between her family’s traditions and her desire for independence. A free-spirited and rebellious Muslim-American of Indo-Pakistani descent, she rejected the constricting notions of family, duty, obligation, and fate, choosing instead to become a journalist, the world her home.
Five years later, tragedy strikes, throwing Saira’s life into turmoil. Now the woman who chased the world to uncover the details of other lives must confront the truths of her own. Throughout the novel, characters wrestle with the tension between personal freedom and social duties and obligations. Discuss the very different ways that this tension plays out in the lives of Big Nanima,
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In Legend of a Suicide, his heartbreaking semi-autobiographical debut story-collection, David Vann relates the story of a young man trying to come to terms with the guilt and pain of his father’s suicide. The wild outback of the author’s native Alaska acts as the ideal backdrop for this collage of six stories—a novella and five shorts—and mirrors the author’s own psychological wilderness. From “an important new voice in American literature” (Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain) comes an unforgettable exploration of the tragic gaps between one boy and his father.
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Before there was the Baby-Sitters Club, there were four girls named Kristy Thomas, Mary Anne Spier, Claudia Kishi, and Stacey McGill. As they start the summer before seventh grade (also before they start the BSC), each of them is on the cusp of a big change. Kristy is still hung up on hoping that her father will return to her family. Mary Anne has to prove to her father that she’s no longer a little girl who needs hundreds of rules. Claudia is navigating her first major crush on a boy. And Stacey is leaving her entire New York City life behind…in order to find new friends in Stoneybrook,
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The beautiful Victorian house that Amy Masterson decides to rent, fully furnished, is more than just a place to start over with her young daughter. When Amy learns that the three-story house on Sugar Plum Lane belonged to her great-grandmother, Eleanor Rucker, who Amy’s mother had been searching for until her recent death, she hopes she can find a window into the past her mother never found.
As Amy settles into Fairbrook, she’s stunned to learn that Ellie Rucker still lives on Sugar Plum Lane, cared for by Amy’s neighbor, Maria. But Ellie’s mind is failing rapidly, her memories fading with each passing day.
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Night Navigation opens on a freezing-rain night in upstate New York: the kindling gone, the fire in the woodstove out. Del’s thirty-seven-year-old manic-depressive son needs a ride, but she’s afraid to make the long drive north to the only detox that has a bed.
Through the four seasons, Night Navigation takes us into the deranged, darkly humorous world of the addict–from break-your-arm dealers, to boot-camp rehabs, to Rumi-quoting NA sponsors. Al-Anon tells Del to “let go”; NAMI tells her to “hang on.” Mark cannot find a way to live in this world. Del cannot stop trying to rescue him.
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You see, even after all these years, I wonder if you really loved me. Vanessa and Virginia are sisters, best friends, bitter rivals, and artistic collaborators. As children, they fight for the attention of their overextended mother, their brilliant but difficult father, and their adored brother, Thoby. As young women, they support each other through a series of devastating deaths, then emerge in bohemian Bloomsbury, bent on creating new lives and groundbreaking works of art. Through everything—marriage, lovers, loss, madness, children, success and failure—the sisters remain the closest of co-conspirators. But they also betray each other.
In this lyrical,
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