“We’re just going to look.” Helen Brown had no intention of adopting a pet when she brought her sons, Sam and Rob, to visit a friend’s new kittens. But the runt of the litter was irresistible, with her overlarge ears and dainty chin.
When Cleo was delivered weeks later, she had no way of knowing that her new family had just been hit by a tragedy. Helen was sure she couldn’t keep her—until she saw something she thought had vanished from the earth forever: her son’s smile. The reckless, rambunctious kitten stayed.
Through happiness and heartbreak,
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Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr’s relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.
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The Pattern in the Carpet: A Personal History with Jigsaws is an original and brilliant work. Margaret Drabble weaves her own story into a history of games, in particular jigsaws, which have offered her and many others relief from melancholy and depression. Alongside curious facts and discoveries about jigsaw puzzles–did you know that the 1929 stock market crash was followed by a boom in puzzle sales?–Drabble introduces us to her beloved Auntie Phyl, and describes childhood visits to the house in Long Bennington on the Great North Road, their first trip to London together, the books they read,
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Sheridan Montgomery leads a charmed life as the wife of Eliot, U.S. ambassador to Venezuela. But an attack on their lives cripples Eliot, and they retreat to a remote Mexican village. As Sheridan quietly cares for her husband, she sees her dreams slipping away. Luke Traynor shatters their reverie when he arrives to tell Sheridan of her father’s heart attack and the evidence implicating him in a conspiracy. Sheridan returns to Chicago to untangle the web of her father’s past and is forced to confront her feelings for Luke, a trail of deceit, and the truth about her marriage.
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In 2005, three years after our five-year-old daughter, Grace, died suddenly from a virulent form of strep, my husband, Lorne, our eleven-year-old son, Sam, and I found ourselves on a plane heading to China to adopt a baby girl. Our journey into adoption came from a belief that, even in such heartbreak and despair, we could love again. As soon as they placed eleven-month-old Annabelle in my arms, I knew that our hope of rebuilding our family again was indeed possible.
During the adoption process—the orientation, the miles of paperwork, the home visits, the long waits at the INS,
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Safe From the Sea is the story of a man returning home to Duluth to help his ailing father. But returning home makes Noah tense and uncertain. He and his father have been estranged for years, an estrangement that began after his father survived the sinking of his Great Lakes ore boat during Noah’s youth. Survived in body, but not in spirit. Once Noah arrives, though, it’s clear that his father is not simply ill but dying—which the father knows, though he hasn’t been explicit. He doesn’t want sympathy. And so the two begin an awkward journey toward the end of Olaf Torr’s life and,
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