When the last thing you want is the one thing you need, you’ve got to have a little faith…
Growing up, Ellen Carlisle was a Christian: she went to Jesus camp, downed stale Nilla wafers at Sunday school, and never, ever played with Ouija boards. Now, years later, when infertility prevents her from giving her ambitious attorney husband a family, she finds herself on the brink of divorce, unemployed, and living with her right-wing, Born-Again-Christian parents in her suburban New Jersey hometown. There the schools are private, the past is public, and blessings come in lump sums.
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Logan Pyle, a lapsed grad student and stay-at-home dad, is just barely holding it together: His father has died, his wife Julie is distant, and his four-year-old son has gone back to drinking from a baby bottle. One Sunday morning at a children’s birthday party, he finds Julie kissing another man, and something snaps. Logan packs a bag, buckles his son into his car seat, and heads north with a 1920s Louisville Slugger in the back of his truck, a maxed-out American Express card in his wallet, and revenge in his heart. After some bad decisions and worse luck, he lands at his father’s old A-frame cabin,
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A smart and slyly funny tale of love, temptation, confusion, and commitment; a triumphant and beautifully executed recasting of Edith Wharton’s The Age of Innocence.
Newly engaged and unthinkingly self-satisfied, twenty-eight-year-old Adam Newman is the prize catch of Temple Fortune, a small, tight-knit Jewish suburb of London. He has been dating Rachel Gilbert since they were both sixteen and now, to the relief and happiness of the entire Gilbert family, they are finally to marry. To Adam, Rachel embodies the highest values of Temple Fortune; she is innocent, conventional, and entirely secure in her community—a place in which everyone still knows the whereabouts of their nursery school classmates.
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From the acclaimed author of Still Missing comes a psychological thriller about one woman’s search into her past and the deadly truth she uncovers.
All her life, Sara Gallagher has wondered about her birth parents. As an adopted child with two sisters who were born naturally to her parents, Sara did not have an ideal home life. The question of why she was given up for adoption has always haunted her. Finally, she is ready to take steps and to find closure.
But some questions are better left unanswered.
After months of research,
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Julia Alvarez has been called “a one-woman cultural collision” by the Los Angeles Times Book Review, and that has never been truer than in this story about three of her most personal relationships—with her parents, with her husband, and with a young Haitian boy known as Piti. A teenager when Julia and her husband, Bill, first met him in 2001, Piti crossed the border into the Dominican Republic to find work. Julia, impressed by his courage, charmed by his smile, has over the years come to think of him as a son, even promising to be at his wedding someday.
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When Maxon met Sunny he was seven years, four months and eighteen days old. Or, he was 2693 rotations of the earth old. Maxon was different. Sunny was different. They were different together.
Now, twenty years later, they are married, and Sunny wants, more than anything, to be “normal.” She’s got the housewife thing down perfectly, but Maxon, a genius engineer, is on a NASA mission to the moon, programming robots for a new colony. Once they were two outcasts who found unlikely love in one another: a wondrous, strange relationship formed from urgent desire for connection. But now they’re parents to an autistic son.
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