Part love letter to the California desert, part intimate portrait of a family reckoning with drug abuse and denial, April Dávila’s beautifully written debut captures the anxieties of a young woman who suddenly bears responsibility amid great stress …
When Tallulah Jones was thirteen, her grandmother plucked her from the dank Oakland apartment she shared with her unreliable mom and brought her to the family ostrich ranch in the Mojave Desert. After eleven years caring for the curious, graceful birds, Tallulah accepts a job in Montana and prepares to leave home. But when Grandma Helen dies under strange circumstances,
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At school Connell and Marianne pretend not to know each other. He’s popular and well-adjusted, star of the school football team, while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her job at Marianne’s house, a strange and indelible connection grows between the two teenagers—one they are determined to conceal.
A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another,
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In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son, Xavier, who’s headed to college in the fall. All is well until the Whitmans—a family with new money and a secretly troubled teenage daughter—raze the house and trees next door to build themselves a showplace.
With little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree, and soon after, the blossoming romance between their two teenagers.
A Good Neighborhood asks big questions about life in America today — what does it mean to be a good neighbor?
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Combining all the political intrigue of Game of Thrones with the sweeping romanticism of Outlander, Dorothy Dunnett’s legendary Lymond Chronicles have enthralled readers for decades and amassed legions of devoted fans. The first book in the series introduces Dunnett’s unforgettable antihero as he returns to Scotland with a wild plan to redeem his reputation and save his home.
The year is 1547. Scotland is clinging to independence after a humiliating English invasion. Paradoxically, the country’s freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents,
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Hailed on its original publication as “eloquent testimony to the engaging power of art in a man’s life” (Washington Post), this deeply moving memoir, long out of print, is reissued with an illuminating new afterword.
When acclaimed poet Gregory Orr was twelve years old, he shot and killed his brother in a hunting accident. From the immediate aftermath—a period of shock, sadness, and isolation—it quickly became clear that support and guidance would not be coming from his distant mother. Nor would it come from his father, a philandering country doctor addicted to amphetamines. Left to his own devices,
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Winner of the 2019 National Book Award in Nonfiction, The Yellow House is a brilliant, haunting and unforgettable memoir from a stunning new talent about the inexorable pull of home and family, set in a shotgun house in New Orleans East.
A book of great ambition, Sarah M. Broom’s memoir tells a hundred years of her family and their relationship to home in a neglected area of one of America’s most mythologized cities. This is the story of a mother’s struggle against a house’s entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts,
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