The first entry in the acclaimed Ruth Galloway series follows the captivating archaeologist as she investigates a child’s bones found on a nearby beach, thought to be the remains of a little girl who went missing ten years before.
Forensic archaeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach.
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At the end of the 19th century, the Osage Indians were driven onto a presumed worthless expanse of land in northeastern Oklahoma. But their territory turned out to be atop one of the largest oil deposits in the United States; to obtain that oil, prospectors were required to pay the tribe for leases and royalties. By the 1920s, the members of Osage Nation had become the wealthiest people per capita in the world. And then the Osage began to die under mysterious circumstances.
As the death toll climbed to more than twenty-four and local law enforcement made little progress,
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Ernt Allbright, a former POW, comes home from the Vietnam war a changed and volatile man. After losing yet another job, he impulsively decides to move his family off the grid to Alaska, America’s last true frontier.
Thirteen-year-old Leni is coming of age caught in the riptide of her parents’ passionate, stormy relationship and hopes that a new land will lead to a better future. Her mother, Cora, will do anything for the man she loves, even if means following him into the unknown.
At first, Alaska seems to be the answer to their prayers. In a remote corner of the state,
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A heartbreaking and powerful story about a black boy killed by a police officer, drawing connections through history, from award-winning author Jewell Parker Rhodes.
Only the living can make the world better. Live and make it better.
Twelve-year-old Jerome is shot by a police officer who mistakes his toy gun for a real threat. As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.
Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances.
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During the height of the roaring twenties, Jessie Miller longs for adventure. Fleeing a loveless marriage (though without divorcing) in the backwaters of Australia, twenty-five-year-old Jessie arrives in London and promptly falls in with the Bright Young Things, those boho-chic intellectuals draped in pearls, and flapper dresses with martinis in hand. At a gin soaked party Jessie meets William Lancaster, married himself and fresh from the Royal Air force, with a scheme in his head to become as famous as Charles Lindbergh, who has just crossed the Atlantic. Lancaster will do Lindy one better: fly from London to Melbourne, and in Jessie Miller he’s found the perfect co-pilot.
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Twelve-year-old Patryk knows little of the world beyond his tiny Polish village; the Russians have occupied the land for as long as anyone can remember, but otherwise life is unremarkable. Patryk and his friends entertain themselves by coming up with dares—some more harmful than others—until the Germans drop a bomb on the schoolhouse and the Great War comes crashing in.
As control of the village falls from one nation to another, Jurek, the ringleader of these friends, devises the best dare yet: whichever boy steals the finest military button will be king. But as sneaking buttons from uniforms hanging to dry progresses to looting the bodies of dead soldiers—and as Jurek’s obsession with being king escalates—Patryk begins to wonder whether their “button war” is still just a game.
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