Those who carry the truth sometimes bear a terrible burden…
Filled with stunning parallels to today’s world, The Postmistress is a sweeping novel about the loss of innocence of two extraordinary women-and of two countries torn apart by war.
On the eve of the United States’s entrance into World War II in 1940, Iris James, the postmistress of Franklin, a small town on Cape Cod, does the unthinkable: She doesn’t deliver a letter.
In London, American radio gal Frankie Bard is working with Edward R. Murrow, reporting on the Blitz. One night in a bomb shelter,
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Newlyweds Ruso and Tilla are ready to find a place to settle down, where they can unpack their wedding gifts and start a family. They return to Britannia for Ruso’s work; however, the only job available isn’t as a doctor but as an investigator for the Roman government. A tax collector from the town of Verulamium is missing, and the town council swears that the tax man, Julius Asper, was trying to make off with the town coffers. But Tilla hears a different story from Asper’s lover, the beautiful Iceni princess Camma. According to Camma, Asper is the victim of a conspiracy,
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It is spring in the year of 118, and Hadrian has been Emperor of Rome for less than a year. After getting involved with the murders of local prostitutes in the town of Deva, Doctor Gaius Petreius Ruso needs to get out of town, so has volunteered for a posting with the Army on the volatile border where the Roman-controlled half of Britannia meets the independent tribes of the North. Not only is he going to the hinterlands of the hinterlands, but it his slave Tilla’s homeland and she has some scores to settle there. Soon they find that Tilla’s tribespeople are being encouraged to rebel against Roman control by a mysterious leader known as the Stag Man,
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England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera’s premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera—which Shepherd has helped to write. The opera will never be performed.
Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer, and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold’s tragedy.
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Farhad is a typical student, twenty-one years old, interested in wine, women, and poetry, and negligent of the religious conservatism of his grandfather. But he lives in Kabul in 1979, and the early days of the pro-Soviet coup are about to change his life forever. One night Farhad goes out drinking with a friend who is about to flee to Pakistan, and is brutally abused by a group soldiers. A few hours later he slowly regains consciousness in an unfamiliar house, beaten and confused, and thinks at first that he is dead. A strange and beautiful woman has dragged him into her home for safekeeping,
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After eighteen years as a political prisoner in the Bastille, the ageing Doctor Manette is finally released and reunited with his daughter in England. There the lives of the two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil roads of London, they are drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror, and they soon fall under the lethal shadow of the guillotine.
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