An award-winning author’s journey to break out of the expectations of midlife and reclaim the daring of her girlhood by dancing in the world’s most popular ballet, The Nutcracker, with a professional company
Like generations of little girls, Lauren Kessler fell in love with ballet the first time she saw The Nutcracker, and from that day, at age five, she dreamed of becoming a ballerina. But when she was twelve, her very famous ballet instructor crushed those dreams-along with her youthful self-assurance-and she stepped away from the barre.
Fast forward four decades.
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An Indies Introduce Pick and People Magazine Book of the Week!
Elvis Babbitt has a head for the facts: she knows science proves yellow is the happiest color, she knows a healthy male giraffe weighs about 3,000 pounds, and she knows that the naked mole rat is the longest living rodent. She knows she should plan to grieve her mother, who has recently drowned while sleepwalking, for exactly eighteen months. But there are things Elvis doesn’t yet know―like how to keep her sister Lizzie from poisoning herself while sleep-eating or why her father has started wearing her mother’s silk bathrobe around the house.
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The beloved memoirist and bestselling author of Population: 485 reflects on the lessons he’s learned from his unlikely alter ego, French Renaissance philosopher Michel de Montaigne.
“The journey began on a gurney,” writes Michael Perry, describing the debilitating kidney stone that led him to discover the essays of Michel de Montaigne. Reading the philosopher in a manner he equates to chickens pecking at scraps—including those eye-blinking moments when the bird gobbles something too big to swallow—Perry attempts to learn what he can (good and bad) about himself as compared to a long-dead French nobleman who began speaking Latin at the age of two,
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“Every writer has advice for aspiring writers. Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites — but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing,
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Sadie is not excited for her pre-senior year summer, which will be her first without her best friend and on-again-off-again boyfriend by her side. Sadie braces herself for a long, lonely, and boring season in the Hamptons (where her family lives on the “have not” side of the divide), working at a farm stand. Things take an unexpected turn when Sadie steps in to help rescue a baby in distress and a video of her good deed goes viral.
Suddenly internet-famous, Sadie’s summer changes for the better when she is introduced to other local do-gooders. These very different teens form an unlikely clique to right local wrongs and do good in their community.
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I work in an office. I take cards out of a file. Once I have taken them out, I put them back in again. That is it.
Twenty-three-year-old Frits—office worker, daydreamer, teller of inappropriate jokes—finds life absurd and inexplicable. He lives with his parents, who drive him mad. He has terrible, disturbing dreams of death and destruction. Sometimes he talks to a toy rabbit.
This is the story of ten evenings in Frits’s life at the end of December, as he drinks, smokes, sees friends, aimlessly wanders the gloomy city streets and tries to make sense of the minutes,
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