“Every writer has advice for aspiring writers. Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites — but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing,
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Sadie is not excited for her pre-senior year summer, which will be her first without her best friend and on-again-off-again boyfriend by her side. Sadie braces herself for a long, lonely, and boring season in the Hamptons (where her family lives on the “have not” side of the divide), working at a farm stand. Things take an unexpected turn when Sadie steps in to help rescue a baby in distress and a video of her good deed goes viral.
Suddenly internet-famous, Sadie’s summer changes for the better when she is introduced to other local do-gooders. These very different teens form an unlikely clique to right local wrongs and do good in their community.
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I work in an office. I take cards out of a file. Once I have taken them out, I put them back in again. That is it.
Twenty-three-year-old Frits—office worker, daydreamer, teller of inappropriate jokes—finds life absurd and inexplicable. He lives with his parents, who drive him mad. He has terrible, disturbing dreams of death and destruction. Sometimes he talks to a toy rabbit.
This is the story of ten evenings in Frits’s life at the end of December, as he drinks, smokes, sees friends, aimlessly wanders the gloomy city streets and tries to make sense of the minutes,
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From the New York Times best-selling author of The Middlesteins comes a wickedly funny novel about a thirty-nine-year-old single, childfree woman who defies convention as she seeks connection.
Who is Andrea Bern? When her therapist asks the question, Andrea knows the right things to say: she’s a designer, a friend, a daughter, a sister. But it’s what she leaves unsaid—she’s alone, a drinker, a former artist, a shrieker in bed, captain of the sinking ship that is her flesh—that feels the most true. Everyone around her seems to have an entirely different idea of what it means to be an adult: her best friend,
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Do you have digestion problems due to stress? Do you have problems with authority? How many alcoholic drinks do you consume a week? Would you rather be a florist or a truck driver?
These are some of the questions that determine if you have what it takes to survive at South Pole Station, a place with an average temperature of -54°F and no sunlight for six months a year. Cooper Gosling has just answered five hundred of them. Her results indicate she is abnormal enough for Polar life.
Cooper’s not sure if this is an achievement,
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An exuberant, one-of-a-kind novel about love and family, war and nature, new money and old values by a brilliant New Yorker contributor
The Portable Veblen is a dazzlingly original novel that’s as big-hearted as it is laugh-out-loud funny. Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage—the charming Veblen and her fiancé Paul,
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