Reluctant bank robber Jack Burn is on the run after a heist in the United States that left three million dollars missing and one cop dead. Hiding out in Cape Town, South Africa, he is desperate to build a new life for his pregnant wife and young son. But on a tranquil evening in their new suburban neighborhood, they are the victims of a random gangland break-in. Benny Mongrel, an ex-con night watchman, knows who went into Burn’s house, and what the American did to them. Burn’s actions soon trap them both in a cat-and-mouse game with Rudi “Gatsby” Barnard,
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Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found–their bodies drained of blood,
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NOW A MAJOR MOTION PICTURE
A city is hit by an epidemic of “white blindness” that spares no one. Authorities confine the blind to an empty mental hospital, but there the criminal element holds everyone captive, stealing food rations and assaulting women. There is one eyewitness to this nightmare who guides seven strangers–among them a boy with no mother, a girl with dark glasses, a dog of tears–through the barren streets, and the procession becomes as uncanny as the surroundings are harrowing. A magnificent parable of loss and disorientation and a vivid evocation of the horrors of the twentieth century,
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The landmark modern novel Mrs. Dalloway creates a portrait of a single day in the life of Clarissa Dalloway as she orchestrates the last-minute details of a grand party. But before Virginia Woolf wrote this masterwork, she explored in a series of fascinating stories a similar revelry in the mental and physical excitement of a party. Wonderfully captivating, the seven stories in Mrs. Dalloway’s Party create a dynamic and delightful portrait of what Woolf called “party consciousness.” As parallel expressions of the themes of Mrs. Dalloway, these stories provide a valuable window into Woolf’s writing mind and a further testament to her extraordinary genius.
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Set in a small Southern mill town in the 1930s, The Heart Is a Lonely Hunter is a haunting, unforgettable story that gives voice to the rejected, the forgotten, and the mistreated. At the novel’s center is the deaf-mute John Singer, who is left alone after his friend and roommate, Antonapoulos, is sent away to an asylum. Singer moves into a boarding house and begins taking his meals at the local diner, and in this new setting he becomes the confidant of several social outcasts and misfits. Drawn to Singer’s kind eyes and attentive demeanor are Mick Kelly,
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Anchee Min’s new novel, Becoming Madame Mao (Mariner Books), is a triumph of historical fiction. In Min’s skillful hands, the “white-boned demon,” as Madame Mao is known, is given flesh and blood. The myths surrounding her are systematically unraveled to reveal a woman motivated by ambition, fueled by revenge, and tortured by her unrequited love for Mao Zedong.
To millions, Madame Mao Jiang Ching is evil personified; she has been erased from China’s history books. In Becoming Madame Mao, Anchee Min resurrects her in a sweeping story that moves gracefully from the intimately personal to the great stage of world history.
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