Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas.
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The latest New York Times bestseller from the acclaimed author of In the Woods and Faithful Place
Tana French’s rise can only be called meteoric. Starting with her award-winning debut, French has scored four consecutive New York Times bestsellers and established herself as one of the top names in the genre. Broken Harbor is quintessential French—a damaged hero, an unspeakable crime, and an intricately plotted mystery—nestled in a timely examination of lives shattered by the global economic downturn.
Mick “Scorcher” Kennedy always brings in the killer.
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Paris, 1923
The daughter of a scandalous mother, Delilah Drummond is already notorious, even among Paris society. But her latest scandal is big enough to make even her oft-married mother blanch. Delilah is exiled to Kenya and her favorite stepfather’s savanna manor house until gossip subsides.
Fairlight is the crumbling, sun-bleached skeleton of a faded African dream, a world where dissolute expats are bolstered by gin and jazz records, cigarettes and safaris. As mistress of this wasted estate, Delilah falls into the decadent pleasures of society.
Against the frivolity of her peers,
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For fans of Emily Giffin, another wonderful book by the author of What Alice Forgot.
Ellen O’Farrell is a professional hypnotherapist who works out of the eccentric beachfront home she inherited from her grandparents. It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back. Then comes that dreaded moment: He thinks they should have a talk.
Braced for the worst,
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J. K. Rowling, Stephenie Meyer, Anne Rice—only a few writers capture the imagination the way that Deborah Harkness has done with books one and two of her New York Times–bestselling All Souls trilogy. A Discovery of Witches introduced reluctant witch Diana Bishop, vampire geneticist Matthew Clairmont, and the battle for a lost, enchanted manuscript known as Ashmole 782.
Harkness’s much-anticipated sequel, Shadow of Night, picks up from A Discovery of Witches’ cliffhanger ending. Diana and Matthew time-travel to Elizabethan London and are plunged into a world of spies,
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To five-year-old-Jack, Room is the world. . . . It’s where he was born, it’s where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.
Room is home to Jack, but to Ma it’s the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack’s curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.
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