Edwidge Danticat’s The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. “Writing has been the primary way I have tried to make sense of my losses,” Danticat notes in her introduction. “I have been writing about death for as long as I have been writing.” The book moves outward from the shock of her mother’s diagnosis and sifts through Danticat’s writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez’s One Hundred Years of Solitude to Toni Morrison’s Sula.
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A New York Times Notable Book
A Time Magazine “Best Comix of the Year”
A San Francisco Chronicle and Los Angeles Times Bestseller
Wise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s graphic memoir of growing up in Iran during the Islamic Revolution.
In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq.
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When Germany invades France in 1940, Cecily Lefort can’t imagine how the aristocratic comforts of life as a French doctor’s wife are about to disappear. A return to native England eventually leads Cecily back to France, this time as a secret agent. Cecily is one of 13 female Special Operations Executive (SOE) spies who do not survive to tell their story.
But a 100-year old family-owned photograph of Cecily inspires author E.M. (Elizabeth) Sloan to travel to Paris and investigate the story of Cecily’s life–and death. The intuitive conversation between Elizabeth and Cecily–based on war documents, letters, and interviews–spins an international web of intrigue that captures the raw emotions of love and war.
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When Sarah Perry was twelve, she saw a partial eclipse of the sun, an event she took as a sign of good fortune for her and her mother, Crystal. But that brief moment of darkness ultimately foreshadowed a much larger one: two days later, Crystal was murdered in their home in rural Maine, just a few feet from Sarah’s bedroom.
The killer escaped unseen; it would take the police twelve years to find him, time in which Sarah grew into adulthood, struggling with abandonment, police interrogations, and the effort of rebuilding her life when so much had been lost.
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The memoir of a woman who leaves her faith and her marriage and sets out to navigate the terrifying, liberating terrain of a newly mapless world
Born and raised in a tight-knit Orthodox Jewish family, Tova Mirvis committed herself to observing the rules and rituals prescribed by this way of life. After all, to observe was to be accepted and to be accepted was to be loved. She married a man from within the fold and quickly began a family.
But over the years, her doubts became noisier than her faith, and at age forty she could no longer breathe in what had become a suffocating existence.
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Poppies of Iraq is Brigitte Findakly’s nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein’s state control, and her family’s history as Orthodox Christians in the arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one’s homeland and still feel intimately connected yet ultimately estranged.
Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs;
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