A sweeping saga in the vein of Ask Again, Yes following a foster family through almost a decade of dazzling triumph and wrenching heartbreak—from the author of The Orphans at Race Point.
Set in the late 1950s through 1960s in a small town in Massachusetts, All the Children Are Home follows the Moscatelli family—Dahlia and Louie, foster parents, and their long-term foster children Jimmy, Zaidie, and Jon—and the irrevocable changes in their lives when a six-year-old indigenous girl, Agnes, comes to live with them.
When Dahlia decided to become a foster mother,
A sweeping, masterful debut about a daughter’s fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born
In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette.
Katherine O’Dell is an Irish theater legend. Every moment of her life is a performance, with her daughter, Norah, standing in the wings. With age, alcohol, and dimming stardom, however, Katherine’s grip on reality grows fitful. Fueled by a proud and long-simmering rage, she commits a bizarre crime.
As Norah’s role gradually changes to Katherine’s protector, caregiver, and finally legacy-keeper, she revisits her mother’s life of fiercely kept secrets; and Norah confronts in turn the secrets of her own sexual and emotional coming-of-age. With virtuosic storytelling, Actress weaves together two generations of women with difficult sexual histories,
Solène Marchand, the thirty-nine-year-old owner of an art gallery in Los Angeles, is reluctant to take her daughter, Isabelle, to meet her favorite boy band. But since her divorce, she’s more eager than ever to be close to Isabelle. The last thing Solène expects is to make a connection with one of the members of the world-famous August Moon. But Hayes Campbell is clever, winning, confident, and posh, and the attraction is immediate. That he is all of twenty years old further complicates things.
What begins as a series of clandestine trysts quickly evolves into a passionate and genuine relationship.
During a snowy Cleveland February, newlywed university students Muneer and Saeedah are expecting their first child, and he is harboring a secret: the word divorce is whispering in his ear. Soon, their marriage will end, and Muneer will return to Saudi Arabia, while Saeedah remains in Cleveland with their daughter, Hanadi. Consumed by a growing fear of losing her daughter, Saeedah disappears with the little girl, leaving Muneer to desperately search for his daughter for years. The repercussions of the abduction ripple outward, not only changing the lives of Hanadi and her parents, but also their interwoven family and friends—those who must choose sides and hide their own deeply guarded secrets.
Shortlisted for the 2020 Booker Prize, a searing literary debut novel set in India about mothers and daughters, obsession and betrayal.
“I would be lying if I say my mother’s misery has never given me pleasure,” says Antara, Tara’s now-adult daughter.
In her youth, Tara was wild. She abandoned her marriage to join an ashram, and while Tara is busy as a partner to the ashram’s spiritual leader, Baba, little Antara is cared for by an older devotee, Kali Mata, an American who came to the ashram after a devastating loss. Tara also embarks on a stint as a beggar (mostly to spite her affluent parents) and spends years chasing a disheveled,