Newlyweds Ruso and Tilla are ready to find a place to settle down, where they can unpack their wedding gifts and start a family. They return to Britannia for Ruso’s work; however, the only job available isn’t as a doctor but as an investigator for the Roman government. A tax collector from the town of Verulamium is missing, and the town council swears that the tax man, Julius Asper, was trying to make off with the town coffers. But Tilla hears a different story from Asper’s lover, the beautiful Iceni princess Camma. According to Camma, Asper is the victim of a conspiracy,
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It is spring in the year of 118, and Hadrian has been Emperor of Rome for less than a year. After getting involved with the murders of local prostitutes in the town of Deva, Doctor Gaius Petreius Ruso needs to get out of town, so has volunteered for a posting with the Army on the volatile border where the Roman-controlled half of Britannia meets the independent tribes of the North. Not only is he going to the hinterlands of the hinterlands, but it his slave Tilla’s homeland and she has some scores to settle there. Soon they find that Tilla’s tribespeople are being encouraged to rebel against Roman control by a mysterious leader known as the Stag Man,
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England, 1923. A gentleman critic named Leslie Shepherd tells the macabre story of a gifted young composer, Charles Jessold. On the eve of his revolutionary new opera’s premiere, Jessold murders his wife and her lover, and then commits suicide in a scenario that strangely echoes the plot of his opera—which Shepherd has helped to write. The opera will never be performed.
Shepherd first shares his police testimony, then recalls his relationship with Jessold in his role as critic, biographer, and friend. And with each retelling of the story, significant new details cast light on the identity of the real victim in Jessold’s tragedy.
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It is 1176 and the King of England’s daughter is to marry the King of Sicily. As war and plague run rampant across the continent, King Henry II entrusts the life of his princess on a journey bound for Palermo to medieval forensic pathologist Adelia Aguilar, his mistress of the art of death. She is initially unwilling to accept until the Plantagenet uses Adelia’s daughter as a bartering tool, holding the child hostage until she completes the mission. A caravan is assembled including Adelia’s most treasured confidant, the Arab eunuch Mansur, her lover Rowley, and an Irish admiral, O’Donnell.
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In the tradition of Robert Ludlum, with a witty twist, Thomson’s second novel featuring a former spy and his son once again poses the question: What happens when a former CIA agent can no longer trust his own mind? Charlie and Drummond Clark are now in Switzerland, hiding out from criminal charges in America and using the time to experiment with treatments to retrieve Drummond’s memory. When NSA operative Alice Rutherford, with whom Charlie has fallen in love, is kidnapped, the Clarks must dodge a formidable CIA case officer and his team to get her back.
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Bandy Dorner, home from Vietnam, awakes with his car mired in a canal, his cabin reduced to ashes, and his pregnant wife preparing to leave town with her lover. Within moments, a cop lies bleeding in the road. Eighteen years later, Bandy’s son — a stranger bearing his name — returns to the town, where the memory of his father’s crime still hangs thick. When an accident brings the family — paroled father, widowed mother, injured son — back together, the three must confront their past, and struggle against their fate.
Like a traditional Greek tragedy,
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