As the North reels under a series of unexpected defeats during the dark first year of the Civil War, one man leaves behind his family to aid the Union cause. His experiences will utterly change his marriage and challenge his most ardently held beliefs. Riveting and elegant as it is meticulously researched, March is an extraordinary novel woven out of the lore of American history by the author of the international bestseller Year of Wonders.
From Louisa May Alcott’s beloved classic Little Women, Geraldine Brooks has taken the character of the absent father,
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Seamlessly moving back and forth in time between the Soviet Union in the 1940s and contemporary America, The Madonnas of Leningrad is a searing portrait of war and remembrance, of the power of love, memory, and art to offer hope in the face of overwhelming despair. It is the story of Marina, an aging Russian woman caught in the grips of Alzheimer’s. While she cannot retain fresh memories, vivid images of her youth in Leningrad and the toturous German siege are preserved. To hold on to sanity when the Luftwaffe’s bombing began, she burned to memory the exquisite artworks of the Hermitage where she worked as a guide using them to furnish a “memory palace”
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A nonfiction She’s Come Undone, Fat Girl is a powerfully honest and darkly riveting memoir of obsession with food and body image, penned by a Guggenheim and NEA award-winning writer. For anyone who’s ever had a love/hate relationship with food and with how they look, for anyone who’s ever knowingly or unconsciously used food to fill a hole in their heart, Fat Girl is a brilliantly rendered, angst-filled coming-of-age story of gain and loss.
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Good-bye to the Mermaids conveys the horrors of war as seen through the innocent eyes of a child. It is the story of World War II as it affected three generations of middle-class German women: Karin, six years old when the war began, who was taken in by Hitler’s lies; her mother, Astrid, a rebellious artist who occasionally spoke out against the Nazis; and her grandmother Oma, a generous and strong-willed woman who, having spent her own childhood in America, brought a different perspective to the events of the time. Finell depicts the lives of people tainted by Hitler’s influence: her half-Jewish relatives who gave in to the strain of trying to remain unnoticed;
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On what may be the last day of his life, Captain Frederick Benteen — the man who saved portions of Custer’s Seventh Cavalry from almost certain death at Little Bighorn — receives a letter from an ambitious boy offering to “restore” his reputation. Over the twenty-three long years since that battle, watching Custer’s legend grow, Benteen has brooded silently on the past. His General has been dead for more than twenty years, killed in action, considered a hero, while the public has never forgiven Benteen for surviving. Now, at last, he begins to put down some account of those two horrific days pinned down on a ridge.
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Three wounds in a perfectly straight line was the bloody signature that marked victims from every corner of France who had been murdered at regular intervals over the course of thirty years. Commissaire Jean-Baptiste Adamsberg, the chief of police in Paris’s 7th Arrondissement, is deeply and personally familiar with the case, and though others were always framed and convicted for these crimes, including his own brother, the Commissaire knows the true identity of the killer—and knows that the murderer died in 1987. All the more disturbing, then, is Adamsberg’s discovery one morning of a fresh murder with exactly the same profile. Stunned into action—and himself a suspect—Adamsberg must confront the mysterious return of an old,
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