For more than a millennium, her existence has been hidden and denied. But hers is the legend that will not die—Pope Joan, the woman who, disguised as a man, rose to rule Christianity in the ninth century as the one and only woman ever to sit on the Throne of St. Peter.
In this stirring international bestseller, Donna Woolfolk Cross brings the Dark Ages to life in all their brutal splendor, and shares the dramatic story of a woman who struggles against restrictions her soul cannot accept—a woman whose courage makes her a heroine for every age.
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Meet Dahlia Finger: twenty-nine, depressed, whip-smart, occasionally affable, bracingly honest, resolutely single, and perennially unemployed. She spends her days stoned in front of the TV, watching the same movies repeatedly, like “a form of prayer.” But when Dahlia’s so-called life is upended by a terminal brain tumor, she must work toward reluctant emotional reckoning with the aid of a questionable self-help guide. Stunned, she obsessively revisits the myriad heartbreaks, disappointments, rages, and regrets that comprise the story of her life. With her take-no-prisoners perspective, her depressive humor, and her extreme vulnerability, Dahlia Finger walks a dazzling line between gravitas and irreverence,
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Wally Lamb’s two previous novels, She’s Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a “modern-day Dostoyevsky,” whose characters struggle not only with their respective pasts, but with a “mocking, sadistic God” in whom they don’t believe but to whom they turn, nevertheless, in times of trouble (New York Times).
In his new novel, The Hour I First Believed,
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One month after her wedding day, thirty-three-year-old Cami Walker was diagnosed with multiple sclerosis, and the life she knew changed forever. Cami was soon in and out of LA’s emergency rooms with alarming frequency as she battled the neurological condition that left her barely able to walk and put enormous stress on her marriage. Each day brought new negative thoughts: I’m going to end up in a wheelchair. Mark’s probably going to leave me. My life is over. Why did this have to happen to me?
Then, as a remedy for her condition,
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Sivakami was married at ten, widowed at eighteen, and left with two children. According to the dictates of her caste, her head is shaved and she puts on widow’s whites. From dawn to dusk, she is not allowed to contaminate herself with human touch, not even to comfort her small children. Sivakami dutifully follows custom, except for one defiant act: She moves back to her dead husband’s house to raise her children.
There, her servant Muchami, a closeted gay man who is bound by a different caste’s rules, becomes her public face. Their singular relationship holds three generations of the family together through the turbulent first half of the twentieth century,
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In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master’s house, and later from the handsome blacksmith, an African,
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