At the age of eighteen, Angela Balcita had reached a point in her life when her health could not keep up with her optimistic personality. After suffering kidney failure and after her body’s rejection of the kidney her brother donated to her, she was in desperate need of a transplant.
Lucky for Angela, she had found the ultimate partner in crime: her boyfriend, Charlie. Although they had known each other for only a short period of time, Charlie offered Angela his kidney. The ensuing story is unforgettable, with readers following Angela and Charlie’s journey through preparations for their respective surgeries;
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Lucy Harrison sells books by day and volunteers with the Cypress Hollow fire department by night. Her life is just the way she likes it—full, even-keeled, and smooth—until bad-boy ex-cop Owen Bancroft comes back to town. Lucy has always been fearless, never scared about diving in to help others. When it comes to risking her heart, however, she realizes she’s absolutely terrified.
In a small town like Cypress Hollow, everyone knows your business—and there is nowhere to hide. Then Lucy and Owen are thrown together by the discovery of the lost work of local legend,
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Kisses, even the ones that don’t happen, can be the trace of what’s constant when life changes. In childhood, when what seems to define everything is competition—for style, for knowing, for experience—a kiss is the first first. When a girl’s father moves out and chooses a new family, a kiss on the head from him may be the trace of constancy that she wants most.
Later, such things take on a different flavor. Sometimes the kiss she wants doesn’t come. Sometimes the one she wouldn’t have is forced upon her. From time to time, the one she has kissed before is lost to her.
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Mary Beth Latham has built her life around her family, around caring for her three teenage children and preserving the rituals of their daily life. When one of her sons becomes depressed, Mary Beth focuses on him, only to be blindsided by a shocking act of violence. What happens afterward is a testament to the power of a woman’s love and determination, and to the invisible lines of hope and healing that connect one human being to another. Ultimately, as rendered in Anna Quindlen’s mesmerizing prose, Every Last One is a novel about facing every last one of the things we fear the most,
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From the time she was twelve, Julie Holt knew what a random tragedy can do to a family. At that tender age, her little sister disappeared—never to be found. It was a loss that slowly eroded the family bonds she once relied on. As an adult with a prestigious job in the arts, Julie meets a struggling artist who reminds her so much of her sister, she can’t help feeling protective. It is a friendship that begins a long and painful process of healing for Julie, leading her to a house on the Gulf Coast, ravaged by Hurricane Katrina, and to stories of family that take her deep into the past.
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During the summer of 1968 in Rockbridge County, Virginia, eleven-year-old Shenandoah Carmody’s mother disappeared. Her twin sister, Woody, stopped speaking, and her once-loving father slipped into a mean drunkenness unbefitting a superior court judge. As the first anniversary of their mother’s disappearance nears, her father’s threat to send Woody away and his hints at an impending remarriage spur a desperate Shenny to find her mother—before it’s too late.
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