The author of the acclaimed short-story collection St. Lucy’s Home for Girls Raised by Wolves and the New York Times best seller and Pulitzer Prize finalist Swamplandia! delivers her best work yet, a virtuosic new story collection that finds her delving into dark new territory with her trademark exuberance and invention.
A dejected teenager believes that the universe is communicating with him through talismanic objects left behind in a seagull’s nest. Girls held captive in a silk factory slowly transmute into human silkworms, spinning delicate threads from their own bellies and escaping by seizing the means of production for their own revolutionary ends.
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In her latest novel, Indira Ganesan, a writer often likened to Arundhati Roy and Chitra Divakaruni (see back of jacket for reviews), gives us an enchanting story of family life that is a dance of love and grief and rebirth set on a gorgeous island in the Indian Ocean.
The island is filled with exotic flora and fauna and perfumed air. A large family compound is presided over by a benign, stalwart grandmother. There is a very tall South Asian heroine with the astonishing un-Indian name of Meterling, who has found love at last in the shape of a short,
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Thomas Tessler has cloistered himself in his bedroom and shut out the world for the past three years. His wife, Silke, lives right in the next room, but Thomas no longer shares his life with her, leaving his hideout only occasionally, in the wee hours of the night, to pick up food at the grocery store around the corner from their Manhattan apartment. Unable to cope with a devastating loss, Thomas has become isolated and withdrawn. He is hikikomori.
Desperate for one last chance to salvage their life together, Silke hires Megumi, a young Japanese immigrant attuned to the hikikomori phenomenon,
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An internationally bestselling phenomenon: the darkly suspenseful, highly controversial tale of two families struggling to make the hardest decision of their lives—all over the course of one meal.
It’s a summer’s evening in Amsterdam, and two couples meet at a fashionable restaurant for dinner. Between mouthfuls of food and over the polite scrapings of cutlery, the conversation remains a gentle hum of polite discourse — the banality of work, the triviality of the holidays. But behind the empty words, terrible things need to be said, and with every forced smile and every new course, the knives are being sharpened.
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They had built their lives in this grand old house, its walls encompassing their family and their secrets. Nestled in the sweeping hills they have always known, the house is part of their history, their heritage. But these four walls also hold a secret.
When Lord Frampton dies in a skiing accident, a beautiful young woman named Phaedra appears at his funeral—claiming to be the lord’s illegitimate daughter. In his will, Lord Frampton has left the priceless Frampton suite of sapphires to this interloper, confirming her claim and outraging his three adult sons and widow. Eventually,
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“F. Scott Fitzgerald said that there are no second acts in American lives. I have no idea what that means but I believe that in quoting him I appear far more intelligent than I am. I don’t know about second acts, but I do think we get second chances, fifth chances, eighteenth chances. Every day we get a fresh chance to live the way we want.”
Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on forty.
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