A young woman’s carefully constructed fantasy world implodes in this brilliantly conceived novel that blurs distinctions between right and wrong, comedy and tragedy, imagination and reality: “Surreal . . . filled with technicolor lies and terrible truths” (Alix E. Harrow, New York Times bestselling and Hugo‑award winning author).
Katrina Kim may be broke, the black sheep of her family, and slightly unhinged, but she isn’t a stalker. Her obsession with her co-worker, Kurt, is just one of many coping mechanisms—like her constant shape and number rituals, or the way scenes from her favorite children’s book bleed into her vision whenever she feels anxious or stressed.
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Lars Horn’s Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a debilitating back injury that left Horn temporarily unable to speak. In Horn’s adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book.
Horn swims through a range of subjects, roving across marine history,
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From a foremost expert on the science of emotions and consultant to Pixar’s Inside Out, a groundbreaking and essential exploration into the history, science, and greater understanding of awe
Awe is mysterious. How do we begin to quantify the goose bumps we feel when we see the Grand Canyon, or the utter amazement when we watch a child walk for the first time? How do you put into words the collective effervescence of standing in a crowd and singing in unison, or the wonder you feel while gazing at centuries-old works of art? Up until fifteen years ago,
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The work of a lifetime from the Tony Award-winning, bestselling author of The Vagina Monologues-political, personal, profound, and more than forty years in the making.
The newest book from V (formerly Eve Ensler), Reckoning invites you to travel the journey of a writer’s and activist’s life and process over forty years, representing both the core of ideas that have become global movements and the methods through which V survived abuse and self-hatred. Seamlessly moving from the internal to the external, the personal to the political, Reckoning is a moving and inspiring work of prose,
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“Birds are my almanac. They tune me into the seasons, and into myself.”
So begins this lively collection of essays by acclaimed filmmaker and novelist Priyanka Kumar. Growing up at the feet of the Himalayas in northern India, Kumar took for granted her immersion in a lush natural world. After moving to North America as a teenager, she found herself increasingly distanced from more than human life, and discouraged by the civilization she saw contributing to its destruction. It was only in her twenties, living in Los Angeles and working on films, that she began to rediscover her place in the landscape — and in the cosmos — by way of watching birds.
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An irresistible story of a woman remaking her life after her husband’s betrayal leads to a year of travel, art, and passion in Paris, from the award-winning author of This Close to Okay.
Vincent, having grown up as the privileged daughter of artists, has a lovely life in many ways. At forty-four, she enjoys strolling the streets of Paris and teaching at the modern art museum; she has a vibrant group of friends; and she’s even caught the eye of a young, charismatic man named Loup. But Vincent is also in Paris to escape a painful betrayal: her husband,
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