Rising to accept a prestigious award, Jody Lulich wondered what to say. Explain how he’d been attracted to veterinary medicine? Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing—and power in finally confronting the darkness of his youth.
Lulich’s white father and Black mother met at a civil rights rally, but love was no defense against their personal demons. His mother’s suicide,
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Darrin Bell was six years old when his mother told him he couldn’t have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are.
Through evocative illustrations and sharp humor, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles—and finding a voice through cartooning—Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbors, and police officers and thus of his mortality. Drawing attention to the brutal murders of African Americans and showcasing revealing insights and cartoons along the way,
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The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked.
The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it’s 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.
There is Olivia, the beautiful elder Davenport daughter,
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The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country’s founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.
Intertwining history, literature, ethics, and the deeply personal, Mura looks back to foundational narratives of white supremacy (Jefferson’s defense of slavery, Lincoln’s frequently minimized racism, and the establishment of Jim Crow) to show how white identity is based on shared belief in the pernicious myths,
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From Center for Fiction First Novel Prize winning author De’Shawn Charles Winslow, a sweeping and unforgettable novel of a Black community reeling from a triple homicide, and the secrets the killings reveal.
In the still-segregated town of West Mills, North Carolina, in 1976, Marian, Marva, and Lazarus Harmon—three enigmatic siblings—are found shot to death in their home. The people of West Mills— on both sides of the canal that serves as the town’s color line—are in a frenzy of finger-pointing, gossip, and wonder. The crime is the first reported murder in the area in decades, but the white authorities don’t seem to have any interest in solving the case.
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Part memoir, part speculative fiction, this novel explores the often surreal experience of growing up as a mixed-Black transracial adoptee.
Dream Country author Shannon Gibney returns with a new book woven from her true story of growing up as the adopted Black daughter of white parents and the fictional story of Erin Powers, the name Shannon was given at birth by the white woman who gave her up for adoption.
At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins.
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