In this enchanting story of love, marriage, and mutual understanding, few readers have failed to be charmed by the witty and independent spirit of Elizabeth Bennet. Her early determination to dislike Mr. Darcy—who is quite the most handsome and eligible bachelor in the whole of English literature—is a misjudgment only matched in folly by Darcy’s arrogant pride. In Pride and Prejudice, first impressions give way to truer feelings in a comedy profoundly concerned with happiness and how it might be achieved.
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Gillian Cormier-Brandenburg is a virginal, narcoleptic, atheistic Harvard Divinity School student about to complete her Ph.D. When the faculty deems her dissertation unsuitable and threatens to revoke her fellowship funding, Gillian—determined to defend her topic—sets out to gather research. She takes a job at a halfway house for recovering addicts and struggles to shed her skin as an anxious and socially inept graduate student in order to become an unlikely figure of authority. The women at Responsibility House—including the motorcycle-obsessed Janet, former prostitute Florine, and house martyr Stacy—challenge Gillian at every step, and eventually inspire her to confront her limitations and find her place in the world.
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Before he wrote some of the twentieth century’s greatest fiction, before he married Zelda, F. Scott Fitzgerald loved Ginevra, a fickle young Chicago socialite he met during the winter break from Princeton. But Ginevra threw over the soon-to-be-famous novelist, and the rest is literary history. Ginevra would be the model for many of Fitzgerald’s coolly fascinating but unattainable heroines, including the elusive object of Jay Gatsby’s unrequited love, Daisy Buchanan.
In this captivating and moving novel, Caroline Preston imagines what life might have been like for Fitzgerald’s first love, following Ginevra from her gilded youth as the daughter of a tycoon through disillusioned marriage and motherhood.
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My Latest Grievance stars the beguiling teenager Frederica Hatch, the “Eloise of Dewing College.” Born and raised in the dormitory of this small women’s college and chafing under the care of “the most annoyingly evenhanded parental team in the history of civilization,” Frederica is starting to feel that her life is stiflingly snug. That all changes with the arrival on campus of a new dorm mother, the glamorous Laura Lee French, the frenetic center of her own universe.
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Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, “Timeskip,” back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they’ve been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford’s Crowsea area, Jilly and Geordie’s story is finally being told.
Before it’s over, we’ll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American “animal people”
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Burning Bright follows the Kellaway family as they leave behind tragedy in rural Dorset and come to late 18th-century London. As they move in next door to the radical painter/poet William Blake, and take up work for a near-by circus impresario, the youngest family member gets to know a girl his age. Embodying opposite characteristics – Maggie Butterfield is a dark-haired, streetwise extrovert, Jem Kellaway a quiet blond introvert – the children form a strong bond while getting to know their unusual neighbor and his wife.
Set against the backdrop of a city nervous of the revolution gone sour across the Channel in France,
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