One day in early spring, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material. She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty–single, childless, and without jobs in progressive industries–are sequestered for their final few years; they are considered outsiders. In the Unit they are expected to contribute themselves for drug and psychological testing,
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Chase Insteadman, a handsome, inoffensive fixture on Manhattan’s social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth’s stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.
Into Chase’s cloistered city enters Perkus Tooth,
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When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world’s most accomplished and prolific authors.
This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor’s purposes.
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At the Manhattan knitting store founded by Georgia Walker, the members of the Friday Night Knitting Club—including Georgia’s daughter Dakota, now a college freshman—continue to rely on each other for help, even as they struggle with new challenges: for Catherine, finding love after divorce; for Darwin, the hope for a family; for Lucie, being both a single mom and a caregiver for her elderly mother; and for seventy something Anita, a proposal of marriage from her sweetheart, Marty, that provokes the objections of her grown children. As the club’s projects—an afghan, baby booties, a wedding coat—are pieced together, so is their understanding of the patterns underlying the stresses and joys of being a mother,
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From a talented new author comes a poignant and haunting novel of creation and desire, passion and madness, art and love.
A young prostitute seeking temporary refuge from the brothel, Rachel awakens in a beautiful garden in Arles to discover she is being sketched by a red-haired man in a yellow straw hat. This is no ordinary artist but the eccentric painter Vincent van Gogh—and their meeting marks the beginning of a remarkable relationship. He arrives at their first assignation at No. 1, Rue du Bout d’Arles, with a bouquet of wildflowers and a request to paint her—and before long,
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Penelope Cameron has convinced her husband and four friends to sign an unusual pact. If Penelope should die before her daughters turn eighteen, her husband, Joey, cannot remarry without the consent of her sister and three best friends. Then, the unthinkable happens, and Penelope’s family and friends must struggle to live life without her.
Penelope’s young daughters, her husband, and friends are slowly rebuilding new lives when the fragile serenity they have gained is suddenly threatened. Penelope’s distant cousins are eager to gain control of the family money, and ruthlessly plant seeds of doubt and distrust among the friends.
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