Jane Smiley makes her debut for young readers in this stirring novel set on a California horse ranch in the 1960s. Seventh-grader Abby Lovitt has always been more at ease with horses than with people. Her father insists they call all the mares “Jewel” and all the geldings “George” and warns Abby not to get attached: the horses are there to be sold. But with all the stress at school (the Big Four have turned against Abby and her friends) and home (her brother Danny is gone—for good, it seems—and now Daddy won’t speak his name), Abby seeks refuge with the Georges and the Jewels.
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they’ve found “true love.” But luck seems to run out when Dara moves into Abigail’s downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
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Hailed as “one of our best writers” by The Washington Post’s Jonathan Yardley, Roxana Robinson writes fiction that deftly explores the limits of human endurance, opening our eyes to the subtle landscape of memory and fate. In Cost, she brings us the gripping story of a fragile family tested when a son spirals into addiction.
The novel opens as art professor Julia Lambert, in her beloved summer house in Maine, settles into a visit from her aging parents. Her mother is beginning her descent into Alzheimer’s, while her father, who was once a renowned neurosurgeon,
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Beginning on August 9, 1945, in Nagasaki, and ending in a prison cell in the US in 2002, as a man is waiting to be sent to Guantanamo Bay, Burnt Shadows is an epic narrative of love and betrayal.
Hiroko Tanaka is twenty-one and in love with the man she is to marry, Konrad Weiss. As she steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back, her world is suddenly and irrevocably altered. In the numbing aftermath of the atomic bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back,
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One day in early spring, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material. She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty–single, childless, and without jobs in progressive industries–are sequestered for their final few years; they are considered outsiders. In the Unit they are expected to contribute themselves for drug and psychological testing,
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Chase Insteadman, a handsome, inoffensive fixture on Manhattan’s social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth’s stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.
Into Chase’s cloistered city enters Perkus Tooth,
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