Twelve-year-old Minerva Soledad Miranda is determined to reach her goals, despite shouldering more responsibility than the other kids at school–like caring for her two sisters while her mom works two jobs. But one night, Minerva’s mom doesn’t come home, and Minerva has to figure out what to do. Was Mamá snapped up by ICE? Will the girls be sent to foster homes or holding centers for migrant kids? Minerva and her sisters can’t let anyone know Mamá has disappeared. They’ll just pretend everything is normal until she comes back.
Minerva’s plan falls apart the first afternoon, when her baby sister throws a tantrum during Minerva’s audition for Peter Pan.
From Stonewall and Lambda Award–winning author Kacen Callender comes a revelatory YA novel about a transgender teen grappling with identity and self-discovery while falling in love for the first time.
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.
Misty’s holler looks like any of the thousands of hollers that fork through the Appalachian Mountains. But Misty knows her home is different. She may be only ten, but she hears things. Even the crawdads in the creek have something to say, if you listen.
All that Misty’s sister Penny wants to talk about are the strange objects that start appearing outside their trailer. The grown-ups mutter about sins and punishment, but that doesn’t scare Misty. Not like the hurtful thing that’s been happening to her, the hurtful thing that is becoming part of her. Ever since her neighbor William cornered her in the barn,
First the white members of Raj Bhatt’s posh tennis club call him racist. Then his life falls apart. Along the way, he wonders: where does he, a brown man, belong in America?
Raj Bhatt is often unsure of where he belongs. Having moved to America from Bombay as a child, he knew few Indian kids. Now middle-aged, he lives mostly happily in California, with a job at a university. Still, his white wife seems to fit in better than he does at times, especially at their tennis club, a place he’s cautiously come to love.
But it’s there that,
The remarkable debut from Plimpton Prize Winner Kelli Jo Ford, Crooked Hallelujah follows four generations of Cherokee women across four decades.
It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church — a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever.
Told in two distinct and irresistible voices, Junauda Petrus’s bold and lyrical debut is the story of two black girls from very different backgrounds finding love and happiness in a world that seems determined to deny them both.Port of Spain, Trinidad. Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots,