Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs—creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice.
“We don’t see color.” “I didn’t know Black people liked Star Wars!” “What hood are you from?” For Frederick Joseph, life as a transfer student in a largely white high school was full of wince-worthy moments that he often simply let go. As he grew older,
A masterful poetic exploration of the impact of Matthew Shepard’s murder on the world.
On the night of October 6, 1998, a gay twenty-one-year-old college student named Matthew Shepard was kidnapped from a Wyoming bar by two young men, savagely beaten, tied to a remote fence, and left to die. Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning,
In the finale to the acclaimed trilogy, upheaval in Zora Neale Hurston’s family and hometown persuade her to leave childhood behind and find her destiny beyond Eatonville.
For Carrie and her best friend, Zora, Eatonville—America’s first incorporated Black township—has been an idyllic place to live out their childhoods. But when a lynch mob crosses the town’s border to pursue a fugitive and a grave robbery resuscitates the ugly sins of the past, the safe ground beneath them seems to shift. Not only has Zora’s own father—the showboating preacher John Hurston—decided to run against the town’s trusted mayor,
In this madcap, insatiably inventive, bravura story collection, Julián Herbert brings to vivid life people who struggle to retain a measure of sanity in an insane world. Here we become acquainted with a vengeful “personal memories coach” who tries to get even with his delinquent clients; a former journalist with a cocaine habit who travels through northern Mexico impersonating a famous author of Westerns; the ghost of Juan Rulfo; a man who discovers music in his teeth; and, in the deliriously pulpy title story, a drug lord who looks just like Quentin Tarantino, who kidnaps a mopey film critic to discuss Tarantino’s films while he sends his goons to find and kill the doppelgänger that has colonized his consciousness.
This fierce collection celebrates the incredible diversity in the contemporary South by featuring essays by twenty-one of the finest young writers of color living and working in the region today, who all address a central question: Who is welcome?
Kiese Laymon navigates the racial politics of publishing while recording his audiobook in Mississippi. Regina Bradley moves to Indiana and grapples with a landscape devoid of her Southern cultural touchstones, like Popeyes and OutKast. Aruni Kashyap apartment hunts in Athens and encounters a minefield of invasive questions. Frederick McKindra delves into the particularly Southern history of Beyonce’s black majorettes.
A timely and arresting new look at affluence by the New York Times bestselling author.
“My adult life can be divided into two distinct parts,” Eula Biss writes, “the time before I owned a washing machine and the time after.” Having just purchased her first home, the poet and essayist now embarks on a provocative exploration of the value system she has bought into. Through a series of engaging exchanges— in libraries and laundromats, over barstools and backyard fences— she examines our assumptions about class and property and the ways we internalize the demands of capitalism.