T. Greenwood’s new novel is a powerful, haunting tale of enduring love, destructive secrets, and opportunities that arrive in disguise . . .
In Two Rivers, Vermont, Harper Montgomery is living a life overshadowed by grief and guilt. Since the death of his wife, Betsy, twelve years earlier, Harper has narrowed his world to working at the local railroad and raising his daughter, Shelly, the best way he knows how. Still wracked with sorrow over the loss of his life-long love and plagued by his role in a brutal, long-ago crime, he wants only to make amends for his past mistakes.
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In the Berkshire mountains of Massachusetts a group of families is connected through the prestigious Pioneer prep school. Into this community enters Nate Gallagher, a teacher and struggling writer haunted by the daughter he gave up for adoption years ago. The girl, Willa—now a teenager and one of Nate’s students—lives with her adoptive parents, Joe and Candace Golding, who have nurtured her with their affection and prosperity. When Willa wins a community service internship and begins working at a local women’s shelter, her friendship with a troubled prostitute, Pearl, raises questions about her own biological past. Despite her parent’s love and care,
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On November 16, 1965, Beth Taylor’s idyllic childhood was shattered at age twelve by the suicide of her older brother Geoff. The Plain Language of Love and Loss reflects on the meaning of death and loss for three generations of her family and their friends. Touching on the timely issues of bullying, child rearing, and non-conformity, she offers a rare look at growing up Quaker in the tumultuous 1960s. Beth Taylor tells how each stage of her life exposed clues to the subtle damage wrought by tragedy, even while it revealed varieties of solace found in friendships, marriage,
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Come home to Marie Bostwick’s poignant novel of new beginnings, old friends, and the rich, varied tapestry of lives fully lived.
At twenty-seven, having fled an abusive marriage with little more than her kids and the clothes on her back, Ivy Peterman figures she has nowhere to go but up. Quaint, historic New Bern, Connecticut, seems as good a place as any to start fresh. With a part-time job at the Cobbled Court Quilt Shop and budding friendships, Ivy feels hopeful for the first time in ages.
But when a popular quilting TV show is taped at the quilt shop,
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Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children’s imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn’t stand the responsibility of providing for her family, called herself an “excitement addict.” Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.
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Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident.
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