“You can always start again,” Kate Robinson’s mother once told her, “all it takes is a new thread.” Overwhelmed by heartbreak and loss, the struggling twenty-six-year-old fashion designer follows her mother’s advice and flees to her ancestral homeland of Ireland, hoping to break free of old patterns and reinvent herself.
She arrives on the west coast, in the seaside hamlet of Glenmara. In this charming, fading Gaelic village, Kate quickly develops a bond with members of the local lace-making society: Bernie, alone and yearning for a new purpose since the death of her beloved husband,
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“If I had given it much thought, I might have hesitated to marry a man for whom at the age of 45 much of the past was too painful to consider—for either of us. Truthfully, thought had little to do with it. Instinct did—the instinct to seize a sure and ebullient happiness or go down trying.”
Falling in love is arguably the greatest risk and leap of faith any of us take. There’s no guarantee for future happiness, no protection from the ugly scars of the past, no shield from tragedy—this powerful memoir reminds us why we bother.
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In Murder of a Medici Princess, Caroline Murphy illuminates the brilliant life and tragic death of Isabella de Medici, one of the brightest stars in the dazzling world of Renaissance Italy, the daughter of Duke Cosimo I, ruler of Florence and Tuscany. Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact,
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Ms. Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?
Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school,
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Divorced, alone, and unexpectedly unemployed, Sylvia Landsman flees to Italy, where she meets Henry, a wistful, married, middle-aged expatriate. Taking off on a grand tour of Europe bankrolled with his wife’s money, Henry and Sylvia follow a circuitous route around the continent—as Sylvia entertains Henry with stories of her peculiar family and her damaged friends, of dead ducks and Alma Mahler. Her narrative is a tapestry of remembrances and regrets…and her secret shame: a small, cowardly sin of omission. Yet when the opportunity arises for Sylvia and Henry to do something small but brave, the refrain “if only” returns to haunt her,
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they’ve found “true love.” But luck seems to run out when Dara moves into Abigail’s downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
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